The looks

Every look Blendable FX draws, in families, each with the starters made from it playing in the engine and the settings of its own on the Tuning band.

A look is what an effect draws. Pick one on an effect's Look and its own settings appear on the Tuning band below it; the layers go over any of them. Every look plays all three ways: as a transition, an impact or an overlay. Hover a clip to play it: each is the starter effect of that name, recorded in the engine.

Covers#

They close over the old shot, a shape or a colour at a time, and the cut happens underneath: the player never sees it. Then they open again on the new shot.

Fade#

The picture fades to the colour and the next fades up from it.

Transition
Fade To Black
0.35 s in, 0.1 s held, 0.35 s out
Transition
Fade To White
0.25 s in, 0.05 s held, 0.5 s out

Its own settings:

Setting	What it does	Starts at	Takes
Curve	How it goes to the colour: 1 evenly, more to hold the picture longer, less to reach the colour sooner	1	0.2 to 5
Dither	How much it goes a pixel at a time through an ordered dither rather than smoothly; 1 all dither	0	0 to 1

Bars#

Cinematic bars close from the edges to meet, then open on the next shot.

Overlay
Letterbox
Bars, in over 0.6 s, held at 26%
Transition
Bars
0.4 s in, 0.15 s held, 0.4 s out

Its own settings:

Setting	What it does	Starts at	Takes
Meet At (%)	Where the bars meet, in percent of the way down the screen (or across it)	50	5 to 95
Edge Line	A line of the second colour along each bar's inner edge, as thick as this share of the screen; 0 none	0	0 to 0.05

Iris#

A circle closes on a point (the player, by default) and opens again on the next shot.

Transition
Iris
0.5 s in, 0.15 s held, 0.5 s out

Its own settings:

Setting	What it does	Starts at	Takes
Shape	The shape the iris closes in	Round	Round, Oval, Rounded Square, Diamond, Star
Ring	A ring of the second colour round the iris's edge, as wide as this share of the screen's height; 0 none	0	0 to 0.05
Spin (turns)	How far the shape turns as it closes, in whole turns; below 0 the other way	0	-2 to 2

Wipe#

A soft edge sweeps across: through the colour, or the next shot pushing the old one off.

Transition
Wipe
blends over 0.6 s
Transition
Wipe Through Black
0.35 s in, 0.05 s held, 0.35 s out

Its own settings:

Setting	What it does	Starts at	Takes
Burn Edge	Blending from the old shot: how wide and bright the edge burns, 1 as designed	1	0 to 4
Roughness	Noise in the order the picture turns over, roughening the edge	0	0 to 1

Pattern Dissolve#

The picture turns over in the order of a pattern: ink, diamonds, circles, blinds, a clock, dither, or a texture of your own.

Transition
Blinds
Pattern Dissolve, 0.4 s in, 0.05 s held, 0.4 s out
Transition
Burn Dissolve
Pattern Dissolve, blends over 1.2 s
Transition
Clock
Pattern Dissolve, 0.45 s in, 0.05 s held, 0.45 s out
Transition
Diamonds
Pattern Dissolve, 0.4 s in, 0.05 s held, 0.4 s out
Transition
Dither
Pattern Dissolve, blends over 0.5 s
Transition
Hex Reveal
Pattern Dissolve, blends over 0.9 s
Transition
Hexagons
Pattern Dissolve, 0.45 s in, 0.05 s held, 0.45 s out
Transition
Ink Dissolve
Pattern Dissolve, blends over 0.9 s
Transition
Ink To Black
Pattern Dissolve, 0.5 s in, 0.1 s held, 0.5 s out
Transition
Triangles
Pattern Dissolve, 0.45 s in, 0.05 s held, 0.45 s out

Its own settings:

Setting	What it does	Starts at	Takes
Ink Scale	For the ink pattern: how small its blots are, 1 as designed	1	0.2 to 5
Spiral Turns	For the spiral pattern: how many times it winds	2	0.5 to 8
Burn Edge	Blending from the old shot: how wide and bright the edge burns, 1 as designed	1	0 to 4
Roughness	Noise in the order the picture turns over, roughening every pattern's edges	0	0 to 1

Luma Fade#

The picture turns over by brightness: the brightest parts first, or the darkest.

Transition
Luma Fade
0.6 s in, 0 s held, 0.6 s out

It has no settings of its own beyond the ones every look shares.

Pixelate#

The picture breaks into ever bigger blocks, and the next resolves from them.

Overlay
LED Screen
Pixelate, in over 0.35 s, held at 100%
Overlay
Pixelate
in over 0.35 s, held at 70%
Overlay
Raised Pixels
Pixelate, in over 0.35 s, held at 100%
Overlay
Screen Wall
Pixelate, in over 0.35 s, held at 100%
Overlay
Stitched
Pixelate, in over 0.35 s, held at 100%
Overlay
Wide Pixels
Pixelate, in over 0.35 s, held at 100%
Transition
Pixelate
0.35 s in, 0 s held, 0.35 s out
Transition
Slanted Pixels
Pixelate, 0.4 s in, 0 s held, 0.4 s out

Its own settings:

Setting	What it does	Starts at	Takes
Growth	How the blocks grow: 1 evenly, more to stay fine for longer	2	0.5 to 5
Pixel Shape	Square blocks; round or diamond dots with the colour between; raised tiles lit from above; slanted blocks; stitches in offset rows; a tiny copy of the whole picture in each block; or a greyscale texture of your own stamped in each	Square	Square, Round, Diamond, Raised, Slanted, Stitched, Little Screens, Your Own Texture
Width Over Height	How much wider than tall each block is, 1 square	1	0.25 to 4
Grid Lines	How dark lines of the colour between the blocks are	0	0 to 1
Keep Detail	How much of the picture's own detail stays inside each block	0	0 to 1
Slant	For slanted blocks: how far they lean	0.5	-1 to 1

Shutter#

A camera's aperture blades close to black and open on the next shot.

Impact
Shutter Blink
0.07 s in, 0.04 s held, 0.12 s out
Transition
Shutter
0.16 s in, 0.06 s held, 0.2 s out

Its own settings:

Setting	What it does	Starts at	Takes
Blade Turn	How far the blades turn as they close	0.9	0 to 3
Blade Curve	How much the seams between blades curve	1.4	0 to 5

Brush#

Broad paint strokes sweep across, back and forth, painting over the old shot and painting the new one in.

Transition
Brush
0.6 s in, 0.05 s held, 0.6 s out
Transition
Brush Reveal
blends over 0.9 s

Its own settings:

Setting	What it does	Starts at	Takes
Wobble	How much the strokes wander	0.5	0 to 2
Bristles	How ragged the bristle streaks at the strokes' ends are	0.12	0 to 0.5
Stagger	How far apart in time the strokes set off	0.6	0 to 0.9

Slabs#

Two bold slabs of colour sweep across on a slant and the new shot follows them in.

Transition
Slabs
blends over 0.7 s

Its own settings:

Setting	What it does	Starts at	Takes
First Slab	How wide the first slab is	0.14	0.02 to 0.4
Second Slab	How wide the second slab is	0.22	0.02 to 0.5
Gap	How wide the sliver of the new shot between them is	0.015	0 to 0.1
Slant	How far the slabs lean	0.35	-1 to 1

Rings#

Rings of colour spread from a point and the new shot opens inside the last.

Transition
Rings
blends over 0.9 s

Its own settings:

Setting	What it does	Starts at	Takes
Ring Width	How wide each ring is	0.09	0.02 to 0.3
Rings	How many rings spread out before the new shot	3	1 to 8, whole numbers

CRT Switch-Off#

An old screen switching off: squashed to a line, then a dot, and switching on again.

Transition
CRT Switch Off
0.45 s in, 0.25 s held, 0.35 s out

Its own settings:

Setting	What it does	Starts at	Takes
Line Glow	How brightly the line glows as the screen squashes	0.6	0 to 2
Brighten	How much brighter the picture gets as it squashes	3	0 to 6
Squash Until	How far along the picture is squashed to a line, before it shrinks to a dot	0.7	0.3 to 0.95

Blends#

They freeze the old shot at the change and carry it into the new one, so both are on screen at once for a moment.

Crossfade#

The old shot, frozen at the change, dissolves into the live new one.

Overlay
Freeze Frame
Crossfade, in over 0.2 s, held at 100%
Transition
Crossfade
blends over 0.6 s

Its own settings:

Setting	What it does	Starts at	Takes
Curve	How the new shot comes in: 1 evenly, more to hold the old shot longer, less to bring the new one sooner	1	0.2 to 5
Dip	How far it dips to the colour half way: a crossfade through black, or white; 0 straight across	0	0 to 1

Blur#

The picture blurs away, and the next comes back into focus.

Impact
Hit Blur
0.06 s in, 0.2 s held, 0.8 s out
Overlay
Blur
in over 0.35 s, held at 30%
Transition
Blur
0.3 s in, 0 s held, 0.3 s out

Its own settings:

Setting	What it does	Starts at	Takes
Shape	Which way the picture blurs: round, along a line across or down, out from the centre as a zoom, or round it as a twist	Round	Round, Across, Down, Zoom, Twist

Defocus#

The lens defocuses the picture, using the engine's own depth of field, and focuses on the next.

Transition
Defocus
0.4 s in, 0 s held, 0.5 s out

It has no settings of its own beyond the ones every look shares.

Whip Pan#

The picture streaks and slides out, and the next streaks in, as a fast pan between two shots.

Transition
Whip Pan
0.15 s in, 0 s held, 0.2 s out

Its own settings:

Setting	What it does	Starts at	Takes
Streak Length	How long the streaks run, as a share of the screen at full strength	0.25	0 to 1
Slide	How far the picture slides as it streaks	0.15	0 to 0.5

Zoom Punch#

A punch into the middle with a radial blur.

Impact
Zoom Punch
0.05 s in, 0.03 s held, 0.3 s out
Transition
Zoom Punch
0.2 s in, 0 s held, 0.3 s out

Its own settings:

Setting	What it does	Starts at	Takes
Zoom	How far it punches in, at full strength	0.35	0 to 1
Blur Spread	How far the zoom's blur spreads out	0.5	0 to 1
Sharp Middle	How much the blur holds back near the centre	0.3	0 to 1

Zoom Through#

The old shot rushes towards you in a blur and the new one arrives from close up and settles.

Transition
Zoom Through
blends over 0.6 s

Its own settings:

Setting	What it does	Starts at	Takes
Blur	How much the zoom blurs	0.4	0 to 1
Push	How far it zooms, at full strength	3	0.5 to 8

Spin#

The old shot spins a quarter turn away in a blur and the new one spins in.

Transition
Spin
blends over 0.7 s

Its own settings:

Setting	What it does	Starts at	Takes
Turn (deg)	How far each picture spins	90	15 to 360
Blur	How much the spin blurs, as a share of the turn	0.25	0 to 1

Push#

The new shot pushes the old one off the screen.

Transition
Push Left
blends over 0.45 s
Transition
Push Up
blends over 0.45 s

Its own settings:

Setting	What it does	Starts at	Takes
Blur	How much the pictures blur as they're pushed	0.06	0 to 0.3

Dream#

The flashback's ripple: the picture wavers while the old shot dissolves into the new.

Transition
Dream
blends over 1.5 s

Its own settings:

Setting	What it does	Starts at	Takes
Waves	How many waves run down the screen	30	5 to 80
Wave Speed	How fast the waves move	6	0 to 20
Haze	How much haze of the second colour there is at its height	0.18	0 to 1

Ripple#

A drop in still water: the new shot spreads out from a point behind a ring of ripples.

Transition
Ripple
blends over 1.1 s

Its own settings:

Setting	What it does	Starts at	Takes
Ring Spacing	How close together the ripples are: more for closer	90	20 to 200
Ring Speed	How fast the ripples move	8	0 to 30
Ring Tightness	How tightly the ripples keep to the spreading edge: more for fewer	14	3 to 40

Vortex#

The picture twists down a whirlpool and is gone, and the next twists back out.

Transition
Vortex
0.55 s in, 0.05 s held, 0.55 s out

Its own settings:

Setting	What it does	Starts at	Takes
Twist	How far the picture twists, at full strength	9	0 to 30
Pull	How far it's pulled down into the middle	2.5	0 to 6

Kaleidoscope#

The picture folds into mirrored wedges, turns, and unfolds.

Overlay
Kaleidoscope
in over 0.35 s, held at 50%
Transition
Kaleidoscope
0.6 s in, 0 s held, 0.6 s out
Transition
Kaleidoscope Flow
0.6 s in, 0 s held, 0.6 s out

Its own settings:

Setting	What it does	Starts at	Takes
Zoom	How far the picture is magnified under the mirrors	1	0.2 to 4
Fold In	How soon the mirrors have folded in, as a share of the way	0.35	0.05 to 1

Echo Split#

The picture splits into fading copies that spread and gather.

Overlay
Double Vision
Echo Split, in over 0.35 s, held at 80%
Transition
Echo Split
0.3 s in, 0 s held, 0.4 s out

Its own settings:

Setting	What it does	Starts at	Takes
Spread Out	Spreading out from the centre: how far the copies spread	0.12	0 to 0.4
Spread Along	Spreading along the direction: how far the copies spread	0.06	0 to 0.2
Fade	How quickly the outer copies fade	2	0.2 to 6

Colour Split#

Red, green and blue slide apart and snap back together.

Impact
Colour Split
0.04 s in, 0.04 s held, 0.3 s out
Impact
Hit Colour Split
0.04 s in, 0.08 s held, 0.5 s out
Overlay
Chromatic Flicker
Colour Split, in over 0.35 s, held at 100%
Overlay
Colour Split
in over 0.35 s, held at 35%
Transition
Colour Split
0.2 s in, 0 s held, 0.3 s out

Its own settings:

Setting	What it does	Starts at	Takes
Spread Out	Spreading out from the centre: how far the colours part at the screen's edge	0.08	0 to 0.3
Spread Along	Spreading along the direction: how far the colours part	0.03	0 to 0.15
Flicker	How much the split jumps about at random, now wide, now closed	0	0 to 1
Jumps A Second	How often it jumps	12	1 to 60, whole numbers

Datamosh#

The old picture is dragged around by the new shot's motion, like a broken video file, until it clears.

Transition
Datamosh
blends over 1.5 s

Its own settings:

Setting	What it does	Starts at	Takes
Refreshes A Second	How often the blocks are given the chance to clear	12	1 to 60, whole numbers
Drag	How far the old picture is dragged by the motion, besides Strength	1	0 to 4

Afterimage Trails#

The last few frames trail and tremble behind the picture.

Overlay
Afterimage
in over 0.35 s, held at 100%
Transition
Afterimage
0.3 s in, 0.1 s held, 0.5 s out

Its own settings:

Setting	What it does	Starts at	Takes
Tremble	How far each trail trembles, as a share of the screen	0.004	0 to 0.03
Trail Fade	How much of each trail is left in the next: more for longer trails	0.6	0.1 to 0.95

Cuts and folds#

The old shot is broken apart: sliced, cut into strips, turned like a card or a box, torn or flung away, with the new one behind it.

Slash#

A cut of light slices the old shot in two and the halves slide apart along it, showing the new shot behind.

Transition
Slash
blends over 0.8 s

Its own settings:

Setting	What it does	Starts at	Takes
Draw Time	How much of the way the cut takes to draw across	0.15	0.02 to 0.5
Part	How far the halves part sideways as they slide	0.06	0 to 0.3

Strips#

The old shot is cut into slanted strips that slide away in turn, every other one the other way.

Transition
Strips
blends over 0.8 s

Its own settings:

Setting	What it does	Starts at	Takes
Stagger	How far apart in time the strips set off	0.4	0 to 0.8
Ways	Every other strip the other way, or all one way	Every Other Way	All One Way, Every Other Way

Tile Flip#

Tiles turn over in a sweep, the old shot on their fronts and the new on their backs. One tile across turns the whole picture like a card.

Transition
Card Flip
Tile Flip, blends over 0.7 s
Transition
Tile Flip
blends over 1.1 s

Its own settings:

Setting	What it does	Starts at	Takes
Sweep	How much of the time the sweep across the tiles takes	0.5	0 to 0.9
Lean	How far the tiles lean into the turn	0.12	0 to 0.5
Shade	How dark a tile goes as it turns edge on	0.45	0 to 1

Cube#

The picture turns a quarter turn like the side of a box, the new shot on the next face.

Transition
Cube
blends over 0.9 s

Its own settings:

Setting	What it does	Starts at	Takes
Pull Back	How far the box draws back mid-turn	1.2	0 to 3
Lens	How long the lens is: less for more perspective	2.5	1 to 6
Shade	How dark a face goes as it turns away	0.45	0 to 1

Doors#

The old shot splits down the middle and swings open towards you like a pair of doors.

Transition
Doors
blends over 0.9 s

Its own settings:

Setting	What it does	Starts at	Takes
Lens	How long the lens is: less for more perspective	2.5	1 to 6
Swing	How far the doors swing open, 1 a quarter turn; never less, so they clear the screen	1.02	1 to 1.3
Shade	How dark the doors go as they swing	0.45	0 to 1
Settle	How far the new shot eases back as the doors open	0.08	0 to 0.3

Tear#

The old shot tears across on a ragged line and the pieces pull apart, paper showing at the torn edges.

Transition
Tear
blends over 0.9 s

Its own settings:

Setting	What it does	Starts at	Takes
Ragged	How ragged the tear is	0.12	0 to 0.5
Paper Edge	How wide the white paper shows at the torn edges	0.004	0 to 0.03
Shadow	How dark the shadow under the pieces is	0.35	0 to 1
Pull Apart	How far the pieces pull apart; never less than off the screen	1.25	1 to 3

Shockwave#

A ring of force spreads from a point, bending the picture and splitting its colours, the new shot inside it.

Impact
Hit Shockwave
blends over 0.7 s
Impact
Shockwave
blends over 0.6 s
Transition
Shockwave
blends over 0.75 s

Its own settings:

Setting	What it does	Starts at	Takes
Ring Width	How wide the ring of force is	0.035	0.005 to 0.15
Kick	How hard the ring bends the picture, at full strength	0.06	0 to 0.3
Colour Split	How far the ring splits the colours	0.3	0 to 1
Glow	How brightly the ring glows in the second colour	0.35	0 to 2

Warp#

The picture streaks out from the middle at speed and flashes to the colour, and the next streaks back in.

Transition
Warp
0.5 s in, 0.05 s held, 0.55 s out

Its own settings:

Setting	What it does	Starts at	Takes
Streak Length	How long the streaks run, at full strength	0.6	0 to 1.5
Glow	How brightly the streaks glow	6	0 to 15
Threshold	How bright a part must be to glow	0.6	0 to 1

Scan#

A bright line scans across, drawing the new shot in behind it with a hologram's glow and flicker.

Transition
Hologram Scan
blends over 1.1 s

Its own settings:

Setting	What it does	Starts at	Takes
Line Sharpness	How thin the scanning line is: more for thinner	140	20 to 400
Scanlines	How dark the hologram's scanlines run	0.25	0 to 1
Jitter	How far the picture jitters at the line	0.004	0 to 0.03
Glow Fade	How quickly the fresh glow behind the line fades: more for sooner	6	1 to 20

Speed Lines#

Lines stream in from the edges as the picture rushes to the middle, and it flashes.

Impact
Speed Lines
0.08 s in, 0.1 s held, 0.35 s out
Transition
Speed Lines
0.35 s in, 0.06 s held, 0.35 s out

Its own settings:

Setting	What it does	Starts at	Takes
Lines	How many lines run round the centre	140	20 to 400, whole numbers
Pull	How far the picture rushes to the middle	0.25	0 to 1
Thickness	How thick the lines can be	0.35	0.05 to 1
Lines A Second	How often the lines are redrawn	24	1 to 60, whole numbers

Film, tape and print#

Old media failing on purpose: film wearing, slipping and burning, tape losing its tracking, a signal breaking up, a picture printed in dots.

Old Film#

The picture wears into old film, tinted, grainy, scratched and flickering, and flickers out at the end of the reel.

Overlay
Old Film
in over 0.6 s, held at 55%
Transition
Old Film
0.7 s in, 0.2 s held, 0.7 s out

Its own settings:

Setting	What it does	Starts at	Takes
Grain	How grainy the print is	0.22	0 to 1
Dust	How much dust there is on each frame	0.03	0 to 0.2
Scratches	How bright the scratch down the film is; 0 none	0.4	0 to 1
Flicker	How much the light flickers	0.3	0 to 1
Vignette	How dark the corners go	0.9	0 to 2
Weave	How far the print weaves in the gate, 1 as designed	1	0 to 4
Frames A Second	How often the grain, dust and flicker change	18	6 to 30, whole numbers
Wear Speed	How quickly it wears to its full age: more for sooner	1.6	1 to 4

Film Slip#

The old frame rolls up out of the gate and the next comes up behind it with a frame line between, as film that has lost its loop.

Transition
Film Slip
blends over 0.55 s

Its own settings:

Setting	What it does	Starts at	Takes
Frame Line	How tall the line between frames is, as a share of the screen	0.08	0 to 0.3
Weave	How far the film weaves in the gate, 1 as designed	1	0 to 4
Grain	How grainy the film is	0.2	0 to 1
Flicker	How much the light flickers	0.3	0 to 1
Roll Blur	How far the rolling frames blur	0.03	0 to 0.15
Frames A Second	How often the grain and flicker change	24	6 to 60, whole numbers

Film Burn#

A hole burns out through the film, white hot at its edge with the film scorched around it.

Transition
Film Burn
0.9 s in, 0.1 s held, 0.6 s out
Transition
Film Burn Through
blends over 1.3 s

Its own settings:

Setting	What it does	Starts at	Takes
Ragged	How ragged the burning edge is	0.5	0 to 1.5
Hot Edge	How wide the white-hot edge is	0.04	0.005 to 0.15
Scorch	How far the film is scorched round the hole	0.15	0 to 0.5
Bubbling	How fast the burning edge bubbles	0.5	0 to 3

Slide Projector#

The slide is pulled out with the lamp's light behind it, and the next drops in and comes into focus.

Transition
Slide Projector
0.35 s in, 0.2 s held, 0.55 s out

Its own settings:

Setting	What it does	Starts at	Takes
Lamp Falloff	How much the lamp's light falls off towards the corners	0.8	0 to 2
Drop	How far the next slide drops into the gate	0.08	0 to 0.3
Mount (px)	How wide the slide's dark mount is, in pixels	8	0 to 30

Videotape#

A videotape losing its tracking: rolling bands, rows sliding, colour bleeding, and the deck's blue screen.

Overlay
Videotape
in over 0.35 s, held at 65%
Transition
Videotape
0.45 s in, 0.3 s held, 0.45 s out

Its own settings:

Setting	What it does	Starts at	Takes
Band Speed	How fast the bad band rolls up the screen	0.35	0 to 2
Jitter	How far the rows jitter	0.02	0 to 0.1
Head Switch	How far the bottom tears where the heads switch	0.04	0 to 0.2
Colour Bleed	How far the colour bleeds to the right	0.003	0 to 0.02
Noise	How much noise there is	0.08	0 to 0.5
Fade To Grey	How far its colour drains	0.25	0 to 1

Signal Loss#

A feed losing its signal: static, a rolling bar and the picture draining of colour.

Overlay
Signal Loss
in over 0.35 s, held at 50%
Transition
Signal Loss
0.35 s in, 0.15 s held, 0.35 s out

Its own settings:

Setting	What it does	Starts at	Takes
Wobble	How far the picture wobbles side to side, 1 as designed	1	0 to 4
Fade To Grey	How far its colour drains away	0.8	0 to 1
Static	How soon the static takes over: 1 only at the end, more for sooner	1.1	1 to 3
Rolling Bar	How bright the bar rolling down the screen is	0.35	0 to 1
Bar Speed	How fast the bar rolls, in screen heights a second	0.6	0 to 3

Glitch#

Torn rows, displaced blocks, split colour and scanlines.

Impact
Chromatic Glitch
0.03 s in, 0.12 s held, 0.15 s out
Impact
Glitch
0.03 s in, 0.12 s held, 0.15 s out
Overlay
Glitch
in over 0.35 s, held at 25%
Transition
Glitch
0.25 s in, 0 s held, 0.35 s out

Its own settings:

Setting	What it does	Starts at	Takes
Tears	How many rows tear sideways, at the peak	0.6	0 to 1
Tear Distance	How far a torn row slides, as a share of the screen's width	0.25	0 to 1
Block Shifts	How many blocks jump out of place, at the peak	0.35	0 to 1
Shift Distance	How far a block jumps, as a share of the screen	0.12	0 to 0.5
Colour Split	How far red and blue part, as a share of the screen's width	0.012	0 to 0.06
Scanlines	How dark the scanlines run	0.15	0 to 1
Noise	How much static is laid over it	0.15	0 to 1
Glitches A Second	How often it jumps to a new glitch	24	1 to 60, whole numbers

Invert#

The picture flips to its negative, or into two colours: deep red and black, ice and navy, or a hard stencil.

Impact
Negative
Invert, 0.02 s in, 0.08 s held, 0.18 s out
Overlay
Negative
Invert, in over 0.35 s, held at 100%
Overlay
Red Duotone
Invert, in over 0.35 s, held at 100%
Overlay
Sepia
Invert, in over 0.5 s, held at 100%
Transition
Invert
0.1 s in, 0.12 s held, 0.35 s out
Transition
Invert Deep Red
0.12 s in, 0.15 s held, 0.45 s out
Transition
Invert Gold
0.12 s in, 0.15 s held, 0.45 s out
Transition
Invert Ice
0.12 s in, 0.15 s held, 0.45 s out
Transition
Red Duotone
Invert, 0.12 s in, 0.15 s held, 0.45 s out
Transition
Stencil Red
Invert, 0.12 s in, 0.15 s held, 0.45 s out

Its own settings:

Setting	What it does	Starts at	Takes
Midpoint	Where the two colours meet, or where a stencil cuts, from the darkest 0 to the lightest 1	0.5	0 to 1

Halftone#

The picture turns to printed dots that swell into solid ink, and the next is printed back.

Overlay
Halftone
in over 0.35 s, held at 50%
Transition
Halftone
0.6 s in, 0.05 s held, 0.6 s out

Its own settings:

Setting	What it does	Starts at	Takes
Screen Angle (deg)	The angle the dots are printed on	45	0 to 90
Dot Size	How big the dots are before they swell	0.55	0.2 to 1
Dot Shape	The shape of the dots	Round	Round, Square, Diamond, Line

Lens and light#

Glass and light between the player and the picture: lenses sliding and forming, a camera taking the shot, flares, bloom, leaks and neon.

Lens Swap#

A thick round lens as wide as the screen slides away along the direction over the still old shot, bending it hard and splitting its colours through the glass's edge, while the next rises into place behind it over the new shot.

Impact
Lens Flick
blends over 0.55 s
Transition
Lens Carousel
blends over 1.3 s
Transition
Lens Flick
blends over 0.75 s
Transition
Lens Swap
blends over 0.4 s

It has no settings of its own beyond the ones every look shares.

Mirror Shutter#

A single-lens reflex taking the shot: the mirror flips up with the old shot on it, the shutter's curtains run across the sensor, and the mirror comes back down with the new shot, bouncing off its stop.

Impact
Camera Snap
Mirror Shutter, blends over 0.45 s
Transition
Mirror Shutter
blends over 0.9 s

It has no settings of its own beyond the ones every look shares.

Optical Shutter#

Aperture blades closing through the lens: the picture bends, its colours fringe, the highlights bloom and the blades' edges catch the light.

Transition
Optical Shutter
0.45 s in, 0.08 s held, 0.6 s out

Its own settings:

Setting	What it does	Starts at	Takes
Blade Turn	How far the blades turn as they close	0.9	0 to 3
Blade Curve	How much the seams between blades curve	1.4	0 to 5
Bulge	How far the lens bulges the picture	0.35	0 to 1.5
Fringe	How far red and blue pull apart towards the edges	0.03	0 to 0.1
Bloom	How much the highlights bloom	2.5	0 to 6
Vignette	How dark the corners go	0.6	0 to 2

Eye Test#

Looking through an optician's lenses: the view closes to round windows, each click swaps in a blurrier lens, and clearer ones bring the new shot back.

Transition
Eye Test
1 s in, 0.1 s held, 1.2 s out
Transition
Eye Test One Lens
1.2 s in, 0.1 s held, 1.4 s out

Its own settings:

Setting	What it does	Starts at	Takes
Window Size	How big the round windows are, 1 as designed	1	0.4 to 1.4
Eye Spacing	With both eyes, how far apart the windows are	0.36	0.2 to 0.6
Bulge	How far the lens bulges the view	0.5	0 to 2
Fringe	How far the colours fringe towards the rim	0.006	0 to 0.03

Glass Lens#

A thick glass lens forming over the picture: magnified in the middle, crushed into its rim with the colours splitting, the light catching its edge, and the colour around it.

Overlay
Glass Lens
in over 0.5 s, held at 100%
Overlay
Magnifier
Glass Lens, in over 0.35 s, held at 100%

It has no settings of its own beyond the ones every look shares.

Flare#

A lens flare builds with a long streak and ghosts, and burns out to the colour.

Transition
Flare
0.45 s in, 0.05 s held, 0.55 s out

Its own settings:

Setting	What it does	Starts at	Takes
Streak	How bright the long streak is	1.5	0 to 5
Core	How bright the core and its glow are, 1 as designed	1	0 to 3
Ghosts	How bright the ghosts strung along the line are	0.12	0 to 1
Travel	How far the flare travels along the direction	0.3	0 to 1

Bloom#

The light spills: the bright parts glow wider and brighter until everything is the colour.

Transition
Bloom
0.45 s in, 0.05 s held, 0.6 s out

Its own settings:

Setting	What it does	Starts at	Takes
Threshold	How bright a part must be to bloom at first	0.85	0 to 1
Spread	How far the glow spreads, at full strength	0.06	0 to 0.2
Glow	How bright the glow is	4	0 to 10

Light Leak#

Warm light washes across and burns out to white.

Overlay
Light Leak
in over 0.8 s, held at 50%
Transition
Light Leak
0.5 s in, 0.05 s held, 0.6 s out

Its own settings:

Setting	What it does	Starts at	Takes
Leak Size	How fine the leak's light is: more for smaller patches	1.5	0.3 to 5
Drift	How fast the light drifts	0.15	0 to 1
Sweep Width	How narrow the sweep of light across the screen is	1.5	0.5 to 5
Burns Out From	How far along it starts to burn out to white	0.7	0.5 to 0.99

Neon Outline#

The picture goes dark and its edges light up in neon, then the new shot comes back the same way.

Overlay
Neon Outline
in over 0.35 s, held at 60%
Transition
Neon Outline
0.55 s in, 0.1 s held, 0.6 s out

Its own settings:

Setting	What it does	Starts at	Takes
Pulse	How much the neon pulses	0.15	0 to 1
Pulse Speed	How fast it pulses	30	0 to 60
Picture Lines	How much the picture's own strongest lines join the outlines	0.6	0 to 2
Dim	How far the picture goes dark behind the neon	1	0 to 1

Impacts#

The hit itself: the picture struck down to ink and paper, smeared and blown apart, or burnt out by a flash.

Impact Frame#

An anime impact frame: the picture struck down to ink and paper, with heavy outlines and lines converging on the hit, redrawn and jolted a few times a second.

Impact
Explosion
Impact Frame, 0.02 s in, 0.5 s held, 0.12 s out
Impact
Explosion Cloud
Impact Frame, 0.02 s in, 0.5 s held, 0.12 s out
Impact
Explosion Red
Impact Frame, 0.02 s in, 0.5 s held, 0.12 s out
Impact
Explosion Rings
Impact Frame, 0.02 s in, 0.5 s held, 0.12 s out
Impact
Explosion Star
Impact Frame, 0.02 s in, 0.5 s held, 0.12 s out
Impact
Frame
Impact Frame, 0.03 s in, 0.22 s held, 0.06 s out
Impact
Frame Flicker
Impact Frame, 0.03 s in, 0.25 s held, 0.06 s out
Impact
Frame Inverted
Impact Frame, 0.03 s in, 0.22 s held, 0.06 s out
Impact
Frame Outlines
Impact Frame, 0.03 s in, 0.22 s held, 0.06 s out
Impact
Frame Red
Impact Frame, 0.03 s in, 0.22 s held, 0.06 s out
Impact
Frame Silhouette
Impact Frame, 0.03 s in, 0.22 s held, 0.06 s out
Impact
Shockburst
Impact Frame, 0.02 s in, 0.5 s held, 0.12 s out
Impact
Smear
Impact Frame, 0.03 s in, 0.3 s held, 0.08 s out
Impact
Smear Colour
Impact Frame, 0.03 s in, 0.3 s held, 0.15 s out
Impact
Smear Inverted
Impact Frame, 0.03 s in, 0.3 s held, 0.08 s out
Impact
Smear Silhouette
Impact Frame, 0.03 s in, 0.3 s held, 0.08 s out
Impact
Smear Switch
Impact Frame, 0.03 s in, 0.3 s held, 0.08 s out

Its own settings:

Setting	What it does	Starts at	Takes
Ink Threshold	How dark a part must be to go to ink	0.45	0.1 to 0.9
Outline Width	How thick the outlines are, in pixels	1.5	0.5 to 4
Jolt	How far each drawing jolts, at full strength	0.012	0 to 0.05
Line Count	How many speed lines run round the hit	110	20 to 300, whole numbers

Flash#

A flash of light burning the picture out to the colour: plain, a burst of rays, a star with a ring, or strobing.

Impact
Flash Burst
0.25 s in, 0.05 s held, 0.45 s out
Impact
Flash Red
0.05 s in, 0.02 s held, 0.3 s out
Impact
Flash Star
0.3 s in, 0.05 s held, 0.45 s out
Impact
Flash Strobe
0.35 s in, 0.05 s held, 0.35 s out
Impact
Flash White
0.06 s in, 0.04 s held, 0.4 s out
Impact
Hit Flash
0.03 s in, 0.05 s held, 0.5 s out

Its own settings:

Setting	What it does	Starts at	Takes
Rays	How many rays a burst has	24	4 to 64, whole numbers
Ray Spin	How fast a burst's rays turn	0.05	0 to 1
Ring	How bright a star's ring is	0.8	0 to 2

Worn and held to the eye#

Something between the eye and the world: night vision and thermal, scopes, binoculars, weapon sights and masks. Worn ones move against the eyes as the head does.

Night Vision#

Night vision through one tube, two or four: the picture amplified to glowing green or white, grainy and haloed round the lights, inside each tube's circle, with eye relief, so looking off a tube's middle darkens its edge.

Overlay
Night Vision Binocular New Green
in over 1.2 s, held at 100%
Overlay
Night Vision Binocular New White
in over 1.2 s, held at 100%
Overlay
Night Vision Binocular Old Green
in over 1.2 s, held at 100%
Overlay
Night Vision Binocular Old White
in over 1.2 s, held at 100%
Overlay
Night Vision Compact
in over 0.9 s, held at 100%
Overlay
Night Vision Dual
in over 1.2 s, held at 100%
Overlay
Night Vision Early
in over 0.9 s, held at 100%
Overlay
Night Vision Green
in over 0.9 s, held at 100%
Overlay
Night Vision Green Dual
in over 0.9 s, held at 100%
Overlay
Night Vision Monocular
in over 1.2 s, held at 100%
Overlay
Night Vision Monocular Cracked
in over 0.9 s, held at 100%
Overlay
Night Vision Monocular New Green
in over 0.9 s, held at 100%
Overlay
Night Vision Monocular New White
in over 0.9 s, held at 100%
Overlay
Night Vision Monocular Old Green
in over 0.9 s, held at 100%
Overlay
Night Vision Monocular Old White
in over 0.9 s, held at 100%
Overlay
Night Vision Panoramic
in over 0.9 s, held at 100%
Overlay
Night Vision Panoramic New Green
in over 0.9 s, held at 100%
Overlay
Night Vision Panoramic New White
in over 0.9 s, held at 100%
Overlay
Night Vision Panoramic Old Green
in over 0.9 s, held at 100%
Overlay
Night Vision Panoramic Old White
in over 0.9 s, held at 100%
Overlay
Night Vision Thermal Clip On
in over 0.9 s, held at 100%
Overlay
Night Vision White
in over 0.9 s, held at 100%
Overlay
Night Vision White Dual
in over 1.2 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Tubes	One tube over one eye, two side by side, or four in a panoramic fan	One Tube	One Tube, Two Tubes, Panoramic
Tube Spacing	How far apart two tubes sit: 0 one circle, 1 just touching	0.5	0 to 1
Inner Pair Spacing	How far apart a panoramic's inner pair sit: 0 one circle, as the eyes fuse them, 1 just touching	0.08	0 to 1
Outer Tubes Out	How far out a panoramic's outer tubes sit, in tube widths from the middle: below 1 the inner pair overlaps them, as a real one's does	0.78	0.5 to 1.5
Outer Tubes Drop	How far below the inner pair a panoramic's outer tubes sit, in tube widths; below 0 above	0	-0.25 to 0.25
Outer Tube Size	How big a panoramic's outer tubes are against the inner pair	1	0.3 to 1.5
Outer Tube Brightness	How bright a panoramic's outer tubes are against the inner pair	0.95	0 to 1.5
Seam Darkness	How dark a line shows where a panoramic's tubes meet; 0 none, their fields running into one view as a binocular's do	0	0 to 1
Seam Distortion	How far out of line a panoramic's outer tubes are where they meet the inner pair, as in a goggle whose tubes don't quite line up; 0 lined up, the world running straight on across	0	0 to 1.5
Eye Relief	How far the eye sits from the eyepiece, 0 to 1: further sees a smaller circle, and the shadow closes in sooner as the eye moves off the middle	0.35	0 to 1
Moves With You	How far the goggle moves against the eye as the head turns and the camera shakes, 0 not at all	1	0 to 3
Weight	How heavy the goggle is: heavier swings slower and further, lagging the head more; 1 as designed	1	0.25 to 4
Clip-On Weight	Adds a thermal clip-on's weight on top of everything else, so the goggle swings heavier	Off	Off, On
Movement Smoothing (s)	How much every movement of the goggle is smoothed, in seconds: its swing as the head turns, its slip and tilt, and the knocks from shakes. More takes out the jitter and lags it a little; 0 none	0.06	0 to 0.5
Bare Eye	How much of the world shows round the tubes, as the other eye sees it round one, or under the goggle; 0 the colour	1	0 to 1
Arrives	How it comes on: pulled straight down from above, already aligned; folded down from the helmet with the tubes swung out on their arms, then swung in to the eyes as the arms fold; faded in; or folded down from the helmet in an arc, swinging down and in towards the face as the eyepieces turn from the ground to the eyes, as a real one does (a panoramic, one block, never swings in)	Fold Down	Pull Down, Fold Down Then Swing In, Fade In, Fold Down
Pull Down Share	With the tubes swinging in: how much of the time coming on is spent folding it down, snapping home on the Equip Curve, before it holds still and the tubes swing in	0.55	0.1 to 0.9
Pause Before Swinging In	With the tubes swinging in: how much of the time coming on it holds still, folded down, before the tubes swing in to the eyes, so the fold and the swing read as two moves; 0 none	0.12	0 to 0.5
Swing Angle	With the tubes swinging in: how far out on their arms they start, in degrees	40	0 to 90
Arm Length	With the tubes swinging in: how long their arms are, in tube widths from the mount's hinge	1.1	0.3 to 3
Equip Curve	How it moves as it comes on and goes: easing out, easing in and out, evenly, or on a spring that overshoots and settles	Ease Out	Ease Out, Ease In Out, Linear, Spring
Spring Bounce	With the spring: how far it overshoots before it settles	0.3	0 to 1
Housing Shape	The goggle as it looks from the eye: a plain barrel round each tube, a round monocular with its battery cap and mount arm, a compact monocular, an articulating binocular with its bridge and arms, or a quad panoramic block	Plain Barrel	Plain Barrel, Round Monocular, Compact Monocular, Articulating Binocular, Quad Panoramic
3D Housing	Shows each tube's barrel round its glass as a thing in front of the eye, its rim shifting against the glass as the goggle moves	Off	Off, On
Housing Depth	How deep the barrels look: how far their rims shift against the glass as the goggle moves	0.5	0 to 2
Housing Rim	How wide each barrel shows round its glass, as a share of the tube	0.12	0 to 0.5
Housing Shine	How much light catches along the barrels' rims	0.08	0 to 1
Housing Blur	How soft the goggle's housing looks round the glass, as anything that close to the eye is out of focus; 0 sharp	0.5	0 to 1
Gain	How far the light is amplified at most, where it's darkest: more turns night into day, and brings the grain up with it. With Auto-Gain on, a lighter place gets less.	20	1 to 100
Auto-Gain	Whether the tubes turn their gain down in the light to hold the picture's brightness, as their automatic brightness control does	On	Off, On
Auto-Gain Level	How bright the auto-gain holds the picture, 0 to 1	0.55	0.05 to 0.95
Bright Light Protection	How far the tubes dim the whole picture when bright light floods them, as they do to protect themselves; 0 never	0.5	0 to 1
Auto-Gate Speed (s)	How long the tubes take to settle on a change in the light, in seconds: longer is smoother and slower, 0 at once. They turn down for brighter light twice as fast as they turn back up, as tubes do to protect themselves	0.4	0 to 3
Auto-Gate Sensitivity	How fully the tubes answer a change in the light, and Bright Light Protection with them: 1 holds the picture at the Auto-Gain Level whatever the light; less lets it brighten and darken with the scene, pumping less	1	0 to 1
Lowest Gain	How low the tubes' gain can go, so bright light washes them out rather than being turned down to nothing; daylight wants a pinhole cap	0.2	0.01 to 10
Daylight Washout	How far bright light washes the picture out to a glowing haze	0.7	0 to 1
Auto Shutoff	Whether the goggle switches itself off when the picture stays too bright, as goggles do to save their tubes. Only for a goggle put on with Equip Night Vision.	On	Off, On
Shutoff Brightness	How much light must come through the aperture for the auto shutoff: a moonlit night is about a half, a lit room hundreds, daylight thousands	50	1 to 5000
Shutoff After (s)	How long it must stay that bright before the goggle switches itself off	1	0 to 10
Switches Back On	Once it has shut itself off: whether it comes back on by itself once it is dark again	Once It's Dark Again	Never, Once It's Dark Again
Back On After (s)	How long it must be dark again before it comes back on	1.5	0 to 10
Aperture	How far the objective is open: smaller lets in less light to amplify, so the picture darkens and grains, and keeps more in focus; a pinhole cap is for daylight	f/1.2	f/1.2, f/2, f/2.8, f/4, Pinhole Cap
Focus Distance (m)	How far away the tubes are focused, in metres: nearer and further blur, as far as the aperture is open; 0 everything sharp	0	0 to 200
Focus Blur	How far things out of focus blur: 1 as the objective blurs them, more for a softer picture, 0 none	1	0 to 3
Most Blur (%)	How far anything blurs at most, however far out of focus it is, in percent of the view's height	6	0.5 to 10
Out Of Focus Spreads	Whether something near and out of focus, such as a weapon held up in front, blurs out over what's behind it as a real out-of-focus foreground does, or stops at its own outline	On	Off, On
Blur Quality	How carefully the focus blur is worked out: Optimised looks at fewer places and leaves slight blur alone, for the least cost; Default as designed; Quality looks at more places, smoother on a large blur, for the most	Default	Optimised, Default, Quality
Phosphor Saturation	How much of the second colour's tint the phosphor shows: 1 as chosen, 0 grey	1	0 to 2
Highlights Pale	How far the brightest parts pale towards white, as phosphor does when it saturates	0.45	0 to 1
Black Level	How bright the tubes' darkest dark is, in the phosphor's colour, as a real tube never quite goes black	0.03	0 to 0.3
Contrast	How hard the tubes' picture is: above 1 darker darks, below 1 flatter	1	0.4 to 2.5
Grain	How much the tubes' sparkling grain shows	0.35	0 to 1
Grain Size (px)	How big the grain is, in pixels	1	1 to 6
Sparkles	How many of the grain's bright points flash where the picture is dark: 1 as designed, more for a busier tube, 0 none	1	0 to 10
Sparkle Size	How big each bright point is, in grains across: 1 a single grain, more for a round, soft-edged point	1	1 to 6
Halos	How far the glow spreads round bright lights	0.5	0 to 1
Halo Size	How wide the halos round bright lights are, 1 as designed	1	0.2 to 4
Honeycomb	How much the honeycomb of the tubes' plates shows in the brights	0.04	0 to 0.5
Afterglow	How long bright things leave a fading trail as they move, as a tube's phosphor glows on after the light has gone; 0 none	0.3	0 to 0.95
Blemish Count	How many small dark spots each tube carries, as nearly every real tube has a few	4	0 to 40, whole numbers
Blemish Size	How big the blemishes are, 1 a few pixels across	1.5	0.2 to 6
Blemish Darkness	How dark the blemishes are, 1 black	0.8	0 to 1
Blemish Softness	How soft the blemishes' edges are	0.35	0 to 1
Blemish Roughness	How ragged the blemishes' edges are, rather than round	0.4	0 to 1
Blemish Variety	How far the blemishes differ from each other in size, darkness and shape	0.6	0 to 1
Blemish Pattern	Which blemishes the tubes have, where they sit and how they're shaped: each number its own set, the same every time the goggle goes on, as a real tube's are	0	0 to 999, whole numbers
Power	How far the tubes are on: 1 on, 0 off and dark. The Night Vision nodes switch it, the phosphor fading as it goes	1	0 to 1
Edge Distortion	How much each tube bends the picture towards its edge	0.35	0 to 1
Edge Darkening	How much each tube darkens towards its edge	0.3	0 to 1
Edge Glint	A faint bright ring round each tube's edge, as light catches inside it	0.1	0 to 1
Edge Blur	How much the picture softens towards each tube's edge	0	0 to 1
Warm-Up Flicker	How much the tubes flicker as they come on	1	0 to 1
Thermal Clip-On	A thermal imager clipped in front of a tube, showing the outlines of what's warm, what's warmer than its floor, or all of it, in its Clip-On Colour. Anything drawn into custom depth shows warm.	Off	Off, Outline, Patrol, Full Thermal
Clip-On Shows	How the clip-on's picture reaches the eye: drawn over the tube's in the Clip-On Colour, as a fused goggle's is, or in through the objective, in the phosphor's own colour, as an optical clip-on's is	In Its Own Colour	In Its Own Colour, Through The Tube
Clip-On Polarity	For Full Thermal: warm things bright, or dark	White Hot	White Hot, Black Hot
Clip-On Tube	Which tube carries the clip-on, with two, or a panoramic's inner pair	Left	Left, Right, Both
Clip-On Strength	How bright the clip-on's picture shows in the tube	0.8	0 to 2
Clip-On Field (%)	How wide the clip-on sees, in percent of the tube's field: a 30 degree imager in a 40 degree tube sees three quarters of it	75	10 to 100
Clip-On Threshold	How warm something must be to show, for Outline and Patrol, 0 to 1	0.6	0 to 1
Clip-On Offset (%)	How far the clip-on's picture sits off the tube's, across, in percent of its field, as before it's aligned	0	-25 to 25
Clip-On Line Width (px)	How thick Outline's lines are, in the clip-on's own pixels	1.5	0.5 to 6
Clip-On Glow	A soft glow round Outline's lines, as bright lines bloom in a tube	0.35	0 to 1
Clip-On Detail	How much of a warm shape's inside Outline picks up: where its warmth changes, its gear, limbs and folds drawn as lines of their own	0.3	0 to 1
Clip-On Noise	How imperfect the clip-on's picture is, as a small thermal sensor's is: its lines waver, thicken and thin, break up and sparkle	0.35	0 to 1
Clip-On Lag	How far the clip-on's picture trails the tube's as the head moves, settling back as it stops, as a separate imager's does	0.5	0 to 2
Illuminator	The goggle's own IR illuminator: a cone of infrared from the goggle, lighting what's ahead for its tubes alone. Set Night Vision Illuminator switches it while the game runs.	Off	Off, On
Illuminator Strength	How bright the illuminator is: 1 lights what's within a few metres well and fades out past twenty	1	0 to 4
Illuminator Beam (deg)	How wide the illuminator's beam is, edge to edge, in degrees	40	5 to 120
Illuminator Range (m)	How far the illuminator reaches, in metres	25	1 to 100
Illuminator In Air	How much of the illuminator's beam shows in the air ahead, as haze lights up; 0 none, as in clear air	0.05	0 to 1
Settle	How hard the goggle settles as it snaps into place, folded or pulled down: a quick jitter dying away, as a weapon settles after a reload, giving it weight; 0 none. A heavier goggle shudders slower and wider.	1	0 to 3
Settle Time (s)	How long the settle takes to die away, in seconds	0.35	0.05 to 1.5
Fold Settle	Folding down then swinging in: how hard it settles as the fold snaps home, before the tubes swing in, its arms bouncing on their hinges; 0 none. The Settle plays, lighter, as the tubes close on the eyes.	1.5	0 to 3
Footfall Settle	How hard the goggle settles as each foot lands: a small, quick knock dying away in about half the Settle Time, harder running than walking, and harder again landing from a jump or a fall. It's strapped to the head and moves with it, so a little goes a long way; 0 none.	0.35	0 to 2
Rattle	How much the goggle trembles in its mount as the wearer moves, more the faster they go: a fine, quick rattle, gone when they stand still or leave the ground; 0 none.	0.5	0 to 2

Thermal Vision#

Thermal vision: the scene by how warm it looks, white hot, black hot or in a colour palette, the sky cold and lights hot; anything drawn into custom depth glows like a warm body.

Overlay
Thermal Arctic
in over 0.3 s, held at 100%
Overlay
Thermal Black Hot
in over 0.3 s, held at 100%
Overlay
Thermal Green Hot
in over 0.3 s, held at 100%
Overlay
Thermal Ironbow
in over 0.3 s, held at 100%
Overlay
Thermal Rainbow
in over 0.3 s, held at 100%
Overlay
Thermal Red Hot
in over 0.3 s, held at 100%
Overlay
Thermal White Hot
in over 0.3 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Palette	How heat is coloured: white hot, black hot, or a palette from cold to hot	White Hot	White Hot, Black Hot, Ironbow, Rainbow, Arctic, Red Hot, Green Hot
Warm Bodies	How warm anything drawn into custom depth shows, as a body would: tick Render CustomDepth Pass on whatever should glow; 0 ignores it	1	0 to 1
Sensitivity	How far the heat is spread across the palette: more brings out small differences, less flattens them	1	0.2 to 3
Sensor Rows	How many rows of pixels the sensor has, as thermal cameras have few; 0 the screen's own	480	0 to 2160
Noise	How much the sensor's grain and the faint stripes of its columns show	0.25	0 to 1
Heat Haze	How much the air shimmers	0.15	0 to 1
Halo	How strongly the sensor rings round anything much warmer or colder than what's next to it	0.4	0 to 1.5
Recalibrates Every (s)	How often its shutter closes to recalibrate, the picture going flat for a moment; 0 never	0	0 to 60

Scope#

A rifle scope: the picture magnified inside the tube, a reticle over it, and the scope's shadow closing in as the eye moves off its line; night vision through it too.

Overlay
Scope Both Eyes Open
in over 0.5 s, held at 100%
Overlay
Scope Cracked
in over 0.5 s, held at 100%
Overlay
Scope Duplex
in over 0.5 s, held at 100%
Overlay
Scope German Lit
in over 0.5 s, held at 100%
Overlay
Scope Mil Dot
in over 0.5 s, held at 100%
Overlay
Scope Night Vision
in over 0.5 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Magnification	How many times the scope enlarges the middle of the picture	4	1 to 16
Eye Relief	How far the eye sits from the eyepiece: further and the scope's shadow closes in sooner as the eye moves off its line	0.4	0 to 1
Reticle	The lines or dot you aim with	Duplex	Duplex, Mil Dot, German, Dot, Chevron, None
Reticle Glow	How brightly the reticle lights up in the second colour; 0 a plain black one	0	0 to 1
Night Vision	Night vision through the scope, in green or white phosphor	Off	Off, Green, White
Edge Distortion	How much the scope bends and darkens the picture towards its edge	0.3	0 to 1
Around The Scope	What shows round the scope: 0 black, 1 the picture, blurred and dimmed, as with both eyes open	0	0 to 1
Moves With You	How far the scope moves against the eye as the head turns and the camera shakes, 0 not at all	1	0 to 3
Edge Blur	How much the picture softens towards the scope's edge	0	0 to 1
Zoom	How it magnifies: with the camera, narrowing its view so the picture stays sharp at any magnification, or in the picture, keeping the world round the scope as it is for Around The Scope	With The Camera	With The Camera, In The Picture
Aberration	How far the colours part towards the scope's edge, beyond what its edge distortion parts them	0	0 to 1
Footfall Settle	How hard the scope knocks as each foot lands: a small, quick knock dying away, harder running than walking, and harder again landing from a jump or a fall; 0 none.	0.25	0 to 2
Rattle	How much the scope trembles as the wearer moves, more the faster they go: a fine, quick rattle, gone when they stand still or leave the ground; 0 none.	0.35	0 to 2

Binoculars#

Binoculars: two magnified circles merging into one wide view, a fine scale to range with, and the edges darkening as the eyes move off the eyepieces; night vision through them too.

Overlay
Binoculars
in over 0.5 s, held at 100%
Overlay
Binoculars Mil Scale
in over 0.5 s, held at 100%
Overlay
Binoculars Night Vision
in over 0.5 s, held at 100%
Overlay
Binoculars Rangefinder
in over 0.5 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Magnification	How many times the binoculars enlarge the picture	7	1 to 20
Eye Relief	How far the eyes sit from the eyepieces: further and the edges darken sooner as the eyes move off their line	0.4	0 to 1
Reticle	A scale to range with, or a rangefinder's box and distance lit in the second colour	None	None, Mil Scale, Rangefinder
Night Vision	Night vision through the binoculars, in green or white phosphor	Off	Off, Green, White
Edge Distortion	How much the eyepieces bend, fringe and darken the picture towards their edge	0.3	0 to 1
Coating Tint	How the lens coatings tint the world: above 0 warmer, below 0 cooler	0.1	-1 to 1
Overlap	How far the two circles overlap: 0 side by side, 1 one circle	0.35	0 to 1
Moves With You	How far the binoculars move against the eyes as the head turns and the camera shakes, 0 not at all	1	0 to 3
Edge Blur	How much the picture softens towards the eyepieces' edges	0	0 to 1
Zoom	How they magnify: with the camera, narrowing its view so the picture stays sharp at any magnification, or in the picture, as the finished frame enlarged	With The Camera	With The Camera, In The Picture
Aberration	How far the colours part towards the eyepieces' edges, beyond what their edge distortion parts them	0	0 to 1
Footfall Settle	How hard the binoculars knock as each foot lands: a small, quick knock dying away, harder running than walking, and harder again landing from a jump or a fall; 0 none.	0.25	0 to 2
Rattle	How much the binoculars tremble as the wearer moves, more the faster they go: a fine, quick rattle, gone when they stand still or leave the ground; 0 none.	0.35	0 to 2

Weapon Sight#

A weapon sight: a holographic or red dot reticle on a window you see the world through, glowing, and drifting a little as the eye moves.

Overlay
Sight Green Reflex
Weapon Sight, in over 0.35 s, held at 100%
Overlay
Sight Holographic
Weapon Sight, in over 0.35 s, held at 100%
Overlay
Sight Red Dot
Weapon Sight, in over 0.35 s, held at 100%
Overlay
Sight Segmented
Weapon Sight, in over 0.35 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Reticle	The shape the sight lights up	Ring And Dot	Dot, Ring And Dot, Chevron, Cross, Segmented Circle
Housing	What holds the glass: a holographic sight's window, a red dot's round tube, an open reflex sight, or nothing	Holographic Window	Holographic Window, Round Tube, Open Reflex, None
Reticle Size	How big the reticle is, 1 as designed	1	0.2 to 4
Brightness	How bright the reticle glows	1.5	0 to 5
Starburst	How far the reticle smears into a star, as it does to an astigmatic eye	0.15	0 to 1
Window Tint	How much the glass tints the world in the colour	0.15	0 to 1
Parallax	How far the reticle drifts against the world as the eye moves; a holographic sight hardly at all	0.2	0 to 1
Moves With You	How far the sight moves against the eye as the head turns and the camera shakes, 0 not at all	1	0 to 3
Footfall Settle	How hard the sight knocks as each foot lands: a small, quick knock dying away, harder running than walking, and harder again landing from a jump or a fall; 0 none.	0.25	0 to 2
Rattle	How much the sight trembles as the wearer moves, more the faster they go: a fine, quick rattle, gone when they stand still or leave the ground; 0 none.	0.35	0 to 2

Worn Mask#

Something worn over the face: a gas mask's eyepieces or its visor, a diving mask, welding glass, ski goggles, a helmet's visor, fogging as you breathe.

Overlay
Diving Mask
Worn Mask, in over 0.7 s, held at 100%
Overlay
Gas Mask
Worn Mask, in over 0.7 s, held at 100%
Overlay
Gas Mask Cracked
Worn Mask, in over 0.7 s, held at 100%
Overlay
Gas Mask Panoramic
Worn Mask, in over 0.7 s, held at 100%
Overlay
Motorcycle Visor
Worn Mask, in over 0.6 s, held at 100%
Overlay
Ski Goggles
Worn Mask, in over 0.6 s, held at 100%
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Space Helmet
Worn Mask, in over 0.8 s, held at 100%
Overlay
Visor Shattered
Worn Mask, in over 0.6 s, held at 100%
Overlay
Welding Mask
Worn Mask, in over 0.5 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Mask	What's worn over the face	Gas Mask	Gas Mask, Panoramic Gas Mask, Diving Mask, Welding Mask, Ski Goggles, Motorcycle Visor, Space Helmet
Fog	How far breath fogs the glass at its worst	0.4	0 to 1
Breaths A Minute	How often it breathes on its own clock, fogging and clearing; 0 holds the fog still	14	0 to 40
Breath From	What sets the breath: its own clock at Breaths A Minute; the game, with Breathe Out and Set Mask Breath; or the loudness of a sound, with Breathe With Sound. Either way its breath sounds and events follow.	Its Own Clock	Its Own Clock, The Game, A Sound
Breath Out Share	How much of each breath on its own clock is breathing out, the fog building	0.4	0.1 to 0.9
Fog Clears (s)	How long the fog takes to clear after a breath, lingering longest low on the glass and round its rim	1.6	0.1 to 10
Scratches	How scratched the glass is	0.3	0 to 1
Dirt	How smeared and dirty the glass is	0.25	0 to 1
Droplets	How many drops of water sit on the glass	0	0 to 1
Tint	How much the glass tints the world in the colour	0.2	0 to 1
Moves With You	How far the mask shifts on the face as the head turns and the camera shakes, 0 not at all	0.6	0 to 3
Edge Blur	How much the picture softens towards the glass's edge, where the eye can't focus	0	0 to 1
Lens Distortion	How far the glass bends the picture towards its edge, on top of a curved visor's own bend	0	0 to 1
Aberration	How far the colours part towards the glass's edge	0	0 to 1
Beads	How many beads of water gather where the glass fogs most, each a tiny lens	0.4	0 to 1
Fog Grain	How grainy the fog looks close to, its fine droplets catching the light	0.5	0 to 1
Footfall Settle	How hard the mask knocks as each foot lands: a small, quick knock dying away, harder running than walking, and harder again landing from a jump or a fall. It's on the face and moves with it, so a little goes a long way; 0 none.	0.25	0 to 2
Rattle	How much the mask trembles as the wearer moves, more the faster they go: a fine, quick rattle, gone when they stand still or leave the ground; 0 none.	0.35	0 to 2

Lenses and film stocks#

The camera's own glass and film: anamorphic streaks, old lenses and their swirl, orthochromatic film, fisheye and tilt shift, everyday cameras, and dirt, a drop or patterned glass in front of the lens.

Anamorphic Lens#

A cinema anamorphic lens: straight lines bowing out, the corners softening, an oval vignette, and long streaks across from the lights.

Overlay
Anamorphic
in over 0.5 s, held at 100%
Overlay
Anamorphic Gold Streaks
in over 0.5 s, held at 100%
Overlay
Anamorphic Widescreen
in over 0.5 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Squeeze	The lens's squeeze: 2 is the classic, 1.33 and 1.5 gentler. More bows the lines further and stretches the streaks	2	1 to 2
Bow	How far straight lines bow out towards the edges	0.4	0 to 1
Streaks	How bright the streaks across from the lights are	0.5	0 to 1
Streak Length	How far the streaks reach, as a share of the screen's width	0.5	0.05 to 1
Edge Softness	How soft the edges go, more across than down	0.4	0 to 1
Oval Vignette	How dark the edges go, in the oval an anamorphic draws	0.35	0 to 1
Letterbox	Bars to a wide frame: 0 none, 1 the 2.39 to 1 of a scope print	0	0 to 1
Mumps	How much the middle swells, as faces close to an anamorphic do	0.15	0 to 1

Vintage Lens#

An old cinema lens: a glow round the highlights with red halation at their edges, soft edges that swirl, and the blacks lifted as through a diffusion filter.

Overlay
Classic Cinema Lens
Vintage Lens, in over 0.5 s, held at 100%
Overlay
Diffusion Filter
Vintage Lens, in over 0.5 s, held at 100%
Overlay
Vintage Lens
in over 0.5 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Glow	How far the highlights bloom into what's round them	0.4	0 to 1
Halation	How strong the colour bleeding off the highlights' edges is, as film's halation	0.35	0 to 1
Softness	How soft the whole picture is	0.25	0 to 1
Swirl	How far the edges blur round the middle, as an old portrait lens swirls	0.3	0 to 1
Vignette	How dark the edges go	0.4	0 to 1
Warmth	How warm the picture is, below 0 cooler	0.2	-1 to 1
Lifted Blacks	How far the blacks lift towards grey, as through a diffusion filter	0.15	0 to 1
Fringing	How far the colours part at the edges	0.3	0 to 1

Petzval Lens#

An old portrait lens: sharp in the middle, everything round it swirling out of focus about the middle, its highlights drawn into cat's eyes, the background most.

Overlay
Petzval
in over 0.5 s, held at 100%
Overlay
Petzval Portrait
in over 0.5 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Swirl	How far the picture smears round the middle	1	0 to 3
Sharp Middle (%)	How big the sharp middle is, in percent of the screen's height out from the centre	25	0 to 100
Blur	How far out of focus the edges go	0.8	0 to 2
Background Only	How far the swirl is kept to what's beyond the focus distance, as a real lens's would be; 0 everywhere alike	0	0 to 1
Focus Distance (m)	How far away the lens is focused, in metres, for Background Only	3	0.1 to 100
Vignette	How dark the corners go	0.5	0 to 1
Glow	How much the highlights glow	0.2	0 to 1
Highlights	How far bright spots spread through the smear, as an old lens draws them into cat's eyes	0.5	0 to 1

Orthochromatic Film#

Orthochromatic film, blind to red: reds go dark and blue skies burn out, contrasty, grainy and flickering, toned if you like.

Overlay
Cyanotype
Orthochromatic Film, in over 0.5 s, held at 100%
Overlay
Orthochromatic
in over 0.5 s, held at 100%
Overlay
Orthochromatic Sepia
in over 0.5 s, held at 100%
Overlay
Selenium Print
Orthochromatic Film, in over 0.5 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Red Sensitivity	How much the film sees red: 0 none, as true orthochromatic film, 1 all, as modern black and white	0.05	0 to 1
Contrast	How far the lights and darks are pushed apart	1.25	0.5 to 2.5
Grain	How grainy the film is	0.3	0 to 1
Skies Burn Out	How far blue burns out to white, as skies did on early film	0.5	0 to 1
Tone	How the print is toned	Neutral	Neutral, Sepia, Cyanotype, Selenium
Halation	How much the highlights bloom	0.25	0 to 1
Vignette	How dark the corners go	0.35	0 to 1
Flicker	How much the exposure flickers from frame to frame	0.15	0 to 1

Fisheye Lens#

A fisheye: the picture bent round towards a hemisphere, filling the frame or inside a circle.

Overlay
Fisheye
in over 0.5 s, held at 100%
Overlay
Fisheye Circle
in over 0.5 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Shape	Filling the frame, or a circle in the middle of it	Fills The Frame	Fills The Frame, Circle
Bend	How far the picture bends round, 1 a whole half of a sphere	0.7	0 to 1
Zoom	How close it comes in, 1 as it falls	1	0.5 to 2
Vignette	How dark the edges go	0.3	0 to 1
Fringing	How far the colours part at the edges	0.3	0 to 1
Circle Size	With a circle: how much of the screen's height it fills	0.95	0.4 to 1.4

Tilt Shift#

Tilt shift: one band in focus and the rest blurring away from it, the colours pushed, so the world looks like a model of itself.

Overlay
Tilt Shift
in over 0.5 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Focus At (%)	Where the band in focus sits, in percent of the way down the screen	55	0 to 100
Focus Band (%)	How tall the band in focus is, in percent of the screen	15	1 to 80
Blur	How far the picture blurs away from the band	0.6	0 to 1
Saturation	How rich the colours are, 1 as they are	1.35	0 to 2
Contrast	How far the lights and darks are pushed apart, 1 as they are	1.15	0.5 to 2
Vignette	How dark the edges go	0.25	0 to 1

Everyday Camera#

An everyday camera: a pinhole, a toy camera, a security camera, an action camera or a webcam, each with its own faults.

Overlay
Action Camera
Everyday Camera, in over 0.5 s, held at 100%
Overlay
Pinhole Camera
Everyday Camera, in over 0.5 s, held at 100%
Overlay
Security Camera
Everyday Camera, in over 0.5 s, held at 100%
Overlay
Toy Camera
Everyday Camera, in over 0.5 s, held at 100%
Overlay
Webcam
Everyday Camera, in over 0.5 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Camera	Which camera, each with its own faults	Pinhole	Pinhole, Toy Camera, Security Camera, Action Camera, Webcam
Distortion	How far its lens bends the picture	0.5	0 to 1
Vignette	How dark the edges go	0.5	0 to 1
Noise	How noisy the picture is	0.3	0 to 1
Colour Cast	How far its colour drifts to the colour	0.4	0 to 1
Blur	How soft its picture is	0.3	0 to 1
Light Leaks	How much light leaks in at the edges	0.3	0 to 1
Scanlines	How far the picture breaks into lines and blocks, as video squeezed down a wire does	0.2	0 to 1

Dirty Lens#

The camera's own glass dirtied: smudges and fingerprints, dust, rain sitting and running down, or cracks spreading from a hit, glowing where bright light is behind them.

Impact
Cracked Lens
Dirty Lens, 0.04 s in, 2.5 s held, 0.8 s out
Overlay
Cracked Visor
Dirty Lens, in over 0.35 s, held at 100%
Overlay
Dirty Lens
in over 0.35 s, held at 100%
Overlay
Dusty Lens
Dirty Lens, in over 0.35 s, held at 100%
Overlay
Rain On The Lens
Dirty Lens, in over 0.35 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Dirt	What's on the glass: greasy smudges, dust, rain sitting and running down, cracks spreading from the centre, or a greyscale texture of your own, white the dirt	Smudges	Smudges, Dust, Rain, Cracked, Your Own Texture
Coverage	How much of the glass it covers at full amount	0.5	0 to 1
Size	How big the smudges, specks, drops or cracks are, 1 as designed	1	0.25 to 4
Catches The Light	How brightly the dirt glows where there's bright light behind it	1.5	0 to 4
Light Reach	How far round it the dirt gathers that light from	0.4	0 to 1
Refraction	How much drops and cracks bend the picture behind them	0.5	0 to 1
Run Speed	How fast drops run down the glass and smudges drift; 0 holds them still	0.3	0 to 2
Haze	How much the dirty glass veils the whole picture with its light	0.1	0 to 1

Lens Drop#

One big drop landed on the lens, like rain on a window or blood in the eye: it bends what's behind it as a lens does and blurs it, a softer blur spreads round it, its rim is darker, and its colour stains what's seen through it (deep red for blood, near white for water).

Its own settings:

Setting	What it does	Starts at	Takes
Size	How big the drop is: how far from its middle to its rim, a share of the screen's height, 0.16 about a sixth	0.16	0.03 to 0.5
Refraction	How much the drop swells the picture behind it, as a lens does: most in its middle, none at its rim	0.6	0 to 1
Blur	How blurred the picture is through the drop, and how soft its edge	0.45	0 to 1
Spread	How far a softer blur spreads round the drop, a share of its size: 0.5 half as far again	0.5	0 to 2
Edge	How dark the drop's rim is	0.5	0 to 1
Stain	How much the drop's colour stains what's seen through it: a lot for blood, hardly any for water	0.6	0 to 1
Glint	How bright the light catching the top of the drop is	0.15	0 to 1
Lumpy	How far its outline wanders from a circle	0.5	0 to 1

Patterned Glass#

Looking through patterned glass: reeded ribs, glass blocks, hammered dimples, frosting, ripples or a normal map of your own, bending the picture, parting its colours and catching the light.

Overlay
Frosted Glass
Patterned Glass, in over 0.35 s, held at 100%
Overlay
Glass Blocks
Patterned Glass, in over 0.35 s, held at 100%
Overlay
Reeded Glass
Patterned Glass, in over 0.35 s, held at 100%
Overlay
Rippled Glass
Patterned Glass, in over 0.35 s, held at 100%
Transition
Reeded Pane
Patterned Glass, 0.6 s in, 0 s held, 0.6 s out

Its own settings:

Setting	What it does	Starts at	Takes
Glass	Ribbed reeded glass, glass blocks, hammered dimples, frosted, rippled, or a normal map of your own	Reeded	Reeded, Glass Blocks, Hammered, Frosted, Rippled, Your Own Normal Map
Pattern Size (%)	How big the ribs, blocks or dimples are, in percent of the screen's height	3	0.5 to 25
Bend	How hard the glass bends the picture	1	0 to 2
Colour Split	How far the colours part through the glass	0.3	0 to 1
Frost	How much fine frosting scatters the picture	0.15	0 to 1
Shine	How brightly the glass's ridges catch the light, in the second colour	0.3	0 to 2
Arrives	The pattern deepens where it is, or a pane slides in across the picture along the direction	Deepens In Place	Deepens In Place, Slides Across
Tint	How much the glass tints the world in the colour	0.1	0 to 1

Grade and mood#

The colour and texture of the whole picture, to set a mood and hold it: grades, turned hues, grain, vignettes and fog.

Colour Grade#

A colour grade: a look-up table of your own, and exposure, contrast, saturation and warmth; the colour's hue in the darks and the second colour's in the lights.

Impact
Pinch
Colour Grade, 0.06 s in, 0.04 s held, 0.35 s out
Impact
Screen Crack
Colour Grade, 0.06 s in, 2.5 s held, 0.8 s out
Impact
Screen Shake
Colour Grade, 0.03 s in, 0.1 s held, 0.4 s out
Overlay
Black And White
Colour Grade, in over 0.6 s, held at 100%
Overlay
Bleach Bypass
Colour Grade, in over 0.6 s, held at 100%
Overlay
Bleached
Colour Grade, in over 0.6 s, held at 100%
Overlay
Cold
Colour Grade, in over 0.6 s, held at 100%
Overlay
Comic Punch
Colour Grade, in over 0.6 s, held at 100%
Overlay
Day For Night
Colour Grade, in over 0.6 s, held at 100%
Overlay
Golden Hour
Colour Grade, in over 0.6 s, held at 100%
Overlay
Horror Green
Colour Grade, in over 0.6 s, held at 100%
Overlay
Moonlit Blue
Colour Grade, in over 0.6 s, held at 100%
Overlay
Noir
Colour Grade, in over 0.6 s, held at 100%
Overlay
Teal And Orange
Colour Grade, in over 0.6 s, held at 100%
Overlay
Vibrant
Colour Grade, in over 0.6 s, held at 100%
Overlay
Warm
Colour Grade, in over 0.6 s, held at 100%
Overlay
Heat Haze
Colour Grade, in over 0.6 s, held at 100%
Overlay
Twitch
Colour Grade, in over 0.6 s, held at 100%
Overlay
Underwater
Colour Grade, in over 0.6 s, held at 100%
Overlay
Wobble
Colour Grade, in over 0.6 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Exposure	How much brighter or darker, in stops	0	-3 to 3
Contrast	How far the lights and darks are pushed apart, 1 as they are	1	0 to 2
Saturation	How rich the colours are, 1 as they are, 0 none	1	0 to 2
Warmth	Warmer towards orange, or below 0 cooler towards blue	0	-1 to 1
Tint	Towards magenta, or below 0 towards green	0	-1 to 1
Lift	How far the darks rise, or below 0 sink	0	-0.2 to 0.2
Gamma	How bright the middle tones are, 1 as they are	1	0.4 to 2.5
Gain	How bright the lights are, 1 as they are	1	0.4 to 2

Colour Shift#

The picture's colours turned round the colour wheel, cycling, mapped to brightness as false colour, or drained of all but one colour.

Impact
Hue Flash
Colour Shift, 0.04 s in, 0.06 s held, 0.25 s out
Overlay
Colour Cycle
in over 0.35 s, held at 100%
Overlay
False Colour
in over 0.35 s, held at 100%
Overlay
Keep The Red
Colour Shift, in over 0.35 s, held at 100%
Overlay
Other Realm
Colour Shift, in over 0.35 s, held at 100%
Overlay
Vibrance
Colour Shift, in over 0.35 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Hue Turn (deg)	How far every colour turns round the colour wheel	60	-180 to 180
Cycle (turns/s)	Keeps turning the colours round, in whole turns a second; below 0 the other way	0	-2 to 2
Rainbow	How many times round the wheel the colours run from the darks to the lights, as false colour; 0 none	0	0 to 4
One Colour	Keep only the colour's hue in colour and the rest grey, or drain just that hue	Off	Off, Keep The Colour, Drain The Colour
Hue Range (deg)	How wide a slice of the colour wheel counts as the colour	30	5 to 180
Range Softness	How gently the kept colour gives way to grey	0.5	0 to 1
Vibrance	Lifts the dullest colours most and leaves rich ones; below 0 mutes them	0	-1 to 1
Saturation	How rich the colours are, 1 as they are	1	0 to 2

Grain#

Grain over the picture: film's in the mid-tones, a sensor's in the shadows, a set's static, or sparkling sand; taking the picture over as a transition.

Overlay
Film Grain
in over 0.35 s, held at 100%
Overlay
Heavy Grain
in over 0.35 s, held at 100%
Overlay
Sand
Grain, in over 0.35 s, held at 100%
Overlay
Sensor Noise
Grain, in over 0.35 s, held at 100%
Transition
Disintegrate
Grain, 0.5 s in, 0 s held, 0.5 s out
Transition
Static
Grain, 0.35 s in, 0 s held, 0.35 s out

Its own settings:

Setting	What it does	Starts at	Takes
Kind	Film's soft grain in the mid-tones, a sensor's noise in the shadows, a set's static between the two colours, or sand sparkling in the lights	Film Grain	Film Grain, Sensor Noise, Static, Sand
Grain	How strong the grain is	0.25	0 to 1
Grain Size (px)	How big each grain is, in pixels on a screen 1080 high	1.5	0.5 to 8
Colour Grain	How much each colour has its own grain; 0 the same in all three	0.15	0 to 1
Softness	How soft and clumped the grain is; 0 crisp single grains	0.3	0 to 1
Frames A Second	How often the grain changes	24	1 to 60, whole numbers
Takes Over	At full amount, how far noise in the two colours replaces the picture. As a transition it always takes over by the cut.	0	0 to 1
Flicker	How much the brightness flickers from frame to frame	0	0 to 1

Vignette#

The picture's edges darkened or tinted in a shape, soft or ragged, held still or beating like a heart.

Impact
Dark Pulse
Vignette, 0.05 s in, 0.05 s held, 0.5 s out
Impact
Hit Blood Smear
Vignette, 0.05 s in, 0.6 s held, 1.6 s out
Impact
Hit Red
Vignette, 0.06 s in, 0.15 s held, 0.7 s out
Overlay
Low Health
Vignette, in over 0.35 s, held at 100%
Overlay
Player Spotlight
Vignette, in over 0.35 s, held at 100%
Overlay
Vignette
in over 0.35 s, held at 100%
Overlay
Vignette Burnt
in over 0.35 s, held at 100%
Transition
Vignette Close
0.6 s in, 0 s held, 0.6 s out

Its own settings:

Setting	What it does	Starts at	Takes
Shape	The shape it closes in: round, the screen's own oval, a rounded rectangle, a film gate's squarer one, or a greyscale texture of your own, white staying clear	Oval	Round, Oval, Rounded Rectangle, Film Gate, Your Own Texture
Clear To (%)	How far out the picture stays clear, in percent of the way from the centre to the furthest corner	55	0 to 150
Feather (%)	How far the darkening takes to reach its depth, in the same percent	55	1 to 150
Paint Over	0 darkens the picture through the colour, as a filter would; 1 paints the colour over it	0	0 to 1
Ragged	How ragged and blotchy its edge is, as if burnt in by hand	0	0 to 1
Beats A Minute	A pulse like a heartbeat, in beats a minute; 0 holds it still	0	0 to 200, whole numbers
Beat Depth	How far in each beat pushes it	0.35	0 to 1
Closes	At full amount, how far it closes over the whole picture: 0 holds the vignette, 1 closes it to the colour. As a transition it always closes by the cut.	0	0 to 1
One Side	0 darkens every edge; 1 only the side Direction faces, which Play Impact From turns towards whatever struck	0	0 to 1
Side Width (deg)	How wide the side it darkens is, round the centre	120	20 to 360

Fog#

Fog by real distance: from the camera as distance fog, or from a point in the world as a pool of light, drifting in banks, thinning with height, and rolling in to cover as a transition.

Overlay
Distance Fog
in over 0.35 s, held at 100%
Overlay
Far Glow
Fog, in over 0.35 s, held at 100%
Overlay
Ground Mist
Fog, in over 0.35 s, held at 100%
Overlay
Pool Of Light
Fog, in over 0.35 s, held at 100%
Transition
Darkness Closes In
Fog, 1.2 s in, 0 s held, 1.2 s out
Transition
Fog Rolls In
1 s in, 0.2 s held, 1 s out

Its own settings:

Setting	What it does	Starts at	Takes
Measured From	From the camera, as distance fog; or from the look's centre in the world (the player, where it's played, or whatever is at the spot), which with a dark colour makes a pool of light round it	The Camera	The Camera, The Centre
Clear Up To (m)	How far it stays clear, in metres	5	0 to 1000
Thickest At (m)	Where it reaches its thickest, in metres	80	0.1 to 5000
Thickness	How much of the colour shows where it's thickest	0.85	0 to 1
Drift	How much it breaks into banks that drift	0.25	0 to 1
Drift Speed	How fast the banks drift, in metres a second	0.5	0 to 10
Height Fade (m)	How quickly it thins with height above where it's measured from; 0 the same at every height	0	0 to 200
Rolls In	At full amount, how far it closes in: 0 stays where it's set, 1 closes right in until nothing shows. As a transition it always rolls in by the cut.	0	0 to 1

Drawn and redrawn#

The picture made into something else: a few colours dithered, pencil and ink, characters on a grid or falling down the world's own walls, words, mirrors, a picture inside itself, a picture still loading.

Retro Palette#

The picture brought down to a few colours, dithered and in big pixels: two colours, four greens, an early computer's four, eight, posterised, a heat map or your own.

Overlay
Early Computer
Retro Palette, in over 0.35 s, held at 100%
Overlay
Eight Colours
Retro Palette, in over 0.35 s, held at 100%
Overlay
Four Greens
Retro Palette, in over 0.35 s, held at 100%
Overlay
Gradient Map
Retro Palette, in over 0.35 s, held at 100%
Overlay
Heat Map
Retro Palette, in over 0.35 s, held at 100%
Overlay
Line Dither
Retro Palette, in over 0.35 s, held at 100%
Overlay
One Bit
Retro Palette, in over 0.35 s, held at 100%
Overlay
Posterise
Retro Palette, in over 0.35 s, held at 100%
Transition
Palette Crumble
Retro Palette, 0.5 s in, 0 s held, 0.5 s out

Its own settings:

Setting	What it does	Starts at	Takes
Palette	The colours it's brought down to: two of your own, four greens, an early computer's black, magenta, cyan and white, eight colours, the picture's own posterised, a heat map, or your own list	Two Colours	Two Colours, Four Greens, Four Colour Computer, Eight Colours, The Picture's Own, Heat Map, Your Own Colours
Steps	How many shades it uses, dark to light along the palette (or for each colour of the picture's own); more than the palette has fills in shades between, as a gradient map	4	2 to 32, whole numbers
Dither	How much it mixes neighbouring shades in a pattern rather than banding	0.6	0 to 1
Dither Pattern	The pattern the shades are mixed in	Ordered	Ordered, Lines, Crosshatch, Dots, Noise, Your Own Texture
Pattern Scale	How many of its pixels each step of the pattern covers	1	1 to 8, whole numbers
Pixel Size (px)	How big its pixels grow at full amount, on a screen 1080 high; 1 leaves them as they are	1	1 to 32
Brightness	Lifts or lowers the picture before it's mapped	0	-1 to 1
Contrast	Pushes the lights and darks apart before it's mapped, 1 as they are	1	0 to 3

Sketch#

The picture redrawn by hand: outlines round things and shading laid in as crossing strokes on paper, in pencil, ink, engraving or coloured pencil, the lines boiling as they're redrawn.

Overlay
Coloured Pencil
Sketch, in over 0.35 s, held at 100%
Overlay
Engraving
Sketch, in over 0.35 s, held at 100%
Overlay
Ink Hatching
Sketch, in over 0.35 s, held at 100%
Overlay
Pencil Sketch
in over 0.35 s, held at 100%
Transition
Sketched Out
0.8 s in, 0 s held, 0.8 s out

Its own settings:

Setting	What it does	Starts at	Takes
Style	Pencil, crisp ink hatching, fine engraved lines that swell with the shading, or coloured pencil in the picture's own colours	Pencil	Pencil, Ink Hatching, Engraving, Coloured Pencil
Line Spacing (px)	How far apart the strokes are, in pixels on a screen 1080 high	6	2 to 20
Layers	How many layers of strokes cross in the darkest parts	3	1 to 3, whole numbers
Outlines	How strong the outlines round things are	1	0 to 2
Wobble	How much the strokes waver, drawn fresh each drawing	0.4	0 to 1
Drawings A Second	How often it's redrawn, so the lines boil as hand-drawn animation does	8	1 to 24, whole numbers
Paper Grain	How much the paper's grain shows	0.3	0 to 1
Shading	How dark the shading is drawn, 1 as the picture is	1	0 to 2

Text Screen#

The picture redrawn in characters on a grid, as an old computer's text screen: denser characters in the lights, shaded blocks, ones and noughts, or columns of falling code.

Overlay
Falling Code
Text Screen, in over 0.35 s, held at 100%
Overlay
Shaded Blocks
Text Screen, in over 0.35 s, held at 100%
Overlay
Terminal
Text Screen, in over 0.35 s, held at 100%
Overlay
Text Screen
in over 0.35 s, held at 100%
Transition
Decode
Text Screen, 0.6 s in, 0 s held, 0.6 s out

Its own settings:

Setting	What it does	Starts at	Takes
Style	Characters denser with brightness, shaded blocks, ones and noughts, or columns of code falling through the picture	Characters	Characters, Shaded Blocks, Binary, Falling Code
Cell Size (px)	How tall each character is, in pixels on a screen 1080 high	12	4 to 48
Colouring	The characters in the picture's own colours, in the second colour, or in the second colour as bright as the picture	The Picture's Colours	The Picture's Colours, Second Colour, Second Colour By Brightness
Picture Behind	How much of the picture shows faintly behind the characters	0.1	0 to 1
Contrast	Pushes the lights and darks apart before the characters are chosen	1.2	0 to 3
Flicker	How often a character changes at random	0.05	0 to 1
Fall Speed	For falling code: how fast it falls, in characters a second	14	0 to 60
Scanlines	How dark an old screen's lines run across it	0	0 to 1

World Code#

The world made of falling code: characters laid on every surface, in columns falling down walls and running across floors, each column's head bright and its trail dimming, the outlines of things lit and the rest dark.

Overlay
World Code
in over 0.8 s, held at 100%
Transition
Into The Code
World Code, 0.7 s in, 0.1 s held, 0.6 s out

Its own settings:

Setting	What it does	Starts at	Takes
Character Size (cm)	How tall each character is on the surfaces, in centimetres	12	2 to 100
Fall Speed	How fast the columns fall, in characters a second	7	0.5 to 40
Trail Length	How many characters each column's trail runs behind its head	14	2 to 60
Outlines	How brightly the edges of things are lit, so their shapes read	0.8	0 to 2
Picture Shows	How much the picture's own light shades the code	0.35	0 to 1
Density	How many of the columns are falling at once	0.6	0.05 to 1
Head Glow	How bright each column's leading character is	1	0 to 2
Changes	How often the characters change as they fall	0.4	0 to 1

Text#

Text as a window: the picture showing through the letters, or the letters cut out of it, in any font.

Overlay
Text Cut Out
in over 0.6 s, held at 100%
Overlay
Text Window
in over 0.6 s, held at 100%
Transition
Text Zoom
0.8 s in, 0.2 s held, 0.8 s out

Its own settings:

Setting	What it does	Starts at	Takes
Slow Zoom	How fast the words grow while they're up, as a share of their size a second	0	0 to 0.3
Edge Glow	How bright a glow round the letters' edges is, in the second colour	0	0 to 1

Mirror#

The picture folded onto itself: one half reflected onto the other or four ways, turned upside down or back to front, repeated as tiles, or cut into panels each showing the whole view.

Impact
Mirror Snap
0.05 s in, 0.1 s held, 0.3 s out
Overlay
Mirror World
in over 0.35 s, held at 100%
Overlay
Tiles
Mirror, in over 0.35 s, held at 100%
Overlay
Triptych
Mirror, in over 0.35 s, held at 100%
Overlay
Upside Down
Mirror, in over 0.5 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Style	Which way it folds: one half reflected onto the other, four ways, turned upside down or back to front, repeated as tiles, or cut into panels each showing the whole view	Left Onto Right	Left Onto Right, Right Onto Left, Top Onto Bottom, Bottom Onto Top, Four Ways, Upside Down, Back To Front, Tiles, Panels
Mirror At (%)	Where the mirror stands at full amount, in percent of the way across (or down)	50	0 to 100
Count	How many tiles each way, or panels across	3	2 to 12, whole numbers
Tiles	Tiles repeated as they are, or every other one mirrored so they meet seamlessly	Mirrored	Repeated, Mirrored
Gap	A line of the colour between tiles and panels and along a mirror, as a share of the screen's height	0	0 to 0.05
Panel Shift	How far each panel's view moves to show the middle of the picture, 1 all the way	1	0 to 1
Flip Depth	How far the picture swings back as it turns over	0.5	0 to 1
Line Glow	How brightly the mirror's line catches the light, in the second colour	0	0 to 2

Endless Zoom#

The picture holds a copy of itself, which holds another, without end, zooming in for ever; or, blending, the new shot is a window in the old one and we fly into it.

Overlay
Endless Spiral
in over 0.35 s, held at 100%
Overlay
Endless Zoom
in over 0.35 s, held at 100%
Overlay
Porthole
Endless Zoom, in over 0.35 s, held at 100%
Transition
Into The Picture
Endless Zoom, blends over 1 s

Its own settings:

Setting	What it does	Starts at	Takes
Copy Size	How big each copy of the picture is inside the last, as a share of it; blending, how big the window starts	0.5	0.1 to 0.9
Zoom Speed	How fast it zooms in, in copies a second; below 0 it zooms out	0.4	-2 to 2
Turn (deg)	How far each copy is turned against the last, so they spiral	0	-45 to 45
Border	A frame of the colour round each copy, as a share of the screen's height; 0 none	0.006	0 to 0.05
Shape	Copies in the screen's shape, or round	The Screen	The Screen, Round
Fade Inward	How much each copy fades towards the colour, deeper in	0.15	0 to 1
Colour Drift (deg)	How far round the colour wheel each copy's colours turn against the last	0	-60 to 60

Progressive Load#

The picture arriving as an image does over a slow connection: rows coming in in bursts, the rest the last row smeared down, coarse blocks waiting to sharpen, or every eighth row first.

Overlay
Stuck Loading
Progressive Load, in over 0.35 s, held at 45%
Transition
Interlaced
Progressive Load, 0 s in, 0 s held, 0.9 s out
Transition
Loading
Progressive Load, blends over 1.2 s
Transition
Slow Connection
Progressive Load, 0.4 s in, 0 s held, 1.4 s out

Its own settings:

Setting	What it does	Starts at	Takes
Style	The part still to load: the last row smeared down, coarse blocks waiting to sharpen, or every eighth row first, filling in	Smeared	Smeared, Blocks First, Interlaced
Stalls	How unevenly it loads, stalling and bursting as a slow connection does	0.4	0 to 1
Rows At A Time (px)	How many rows each burst brings in, in pixels on a screen 1080 high	8	1 to 64
Line Glow	How brightly the loading edge glows, in the second colour	0.3	0 to 2
Waiting Colour	How far the part still to load fades to the colour: 0 the smeared picture, 1 plain colour	0	0 to 1
Jitter	How much the waiting part shivers sideways, row by row	0.2	0 to 1

In the world and in the head#

What is happening round the player or to them: a pulse sent out through the world, listening for who is near through the walls, a shield round them, a blow that leaves them dazed, veins creeping in as they weaken.

Sonar Pulse#

A pulse sent out through the world from a point: a shell of light lighting surfaces and edges as it passes, lines left in its wake, and the dark ahead of it if asked.

Impact
Shock Front
Sonar Pulse, 0.05 s in, 1.2 s held, 0.4 s out
Impact
Sonar Pulse
0.05 s in, 1.5 s held, 0.5 s out
Overlay
Echolocation
Sonar Pulse, in over 0.35 s, held at 100%
Overlay
Scanner
Sonar Pulse, in over 0.35 s, held at 100%
Transition
Sonar Sweep
0.9 s in, 0 s held, 0.6 s out

Its own settings:

Setting	What it does	Starts at	Takes
Speed (m/s)	How fast the pulse travels out through the world, in metres a second	40	1 to 300
Reach (m)	How far it goes before it has faded away, in metres	60	1 to 2000
Ring Width (m)	How deep the shell of light is, in metres	1.5	0.05 to 20
Lines Every (m)	Lines left on the world behind it at this spacing, in metres; 0 none	2	0 to 20
Wake	How strongly what it has passed is tinted in the colour, fading behind it	0.35	0 to 1
Every (s)	Sends another pulse this often while it's playing; 0 sends one	0	0 to 20
Outlines	How brightly the edges of things light up as it passes	0.6	0 to 2
Dark Ahead	How dark the world is where the pulse hasn't reached; 1 shows nothing but what it lights	0	0 to 1

Listen#

Listening: the world drained to a cold grey and darkened, and the people it can hear drawn through walls as light; near ones as their own shapes with a glow, further ones spreading into softer, fainter blobs. While it plays, every pawn but the player's draws itself into custom depth, so they all show (anything else you draw into custom depth shows too).

Overlay
Listen
in over 0.4 s, held at 100%
Overlay
Listen Keen
in over 0.4 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Drain	How much of the world's own colour drains away, leaving it in the colour's cold grey	0.9	0 to 1
Darken	How much darker the world goes, and darker still towards the edges and into the distance	0.6	0 to 0.95
Blobs From (m)	How far away characters have spread fully into soft blobs, in metres; nearer ones keep more of their own shapes	25	2 to 200
Blob Size	How wide the blob a far character spreads into is, as a share of the screen's height, however small it is on screen	0.05	0.01 to 0.2
Fade	How faint the furthest are: 0 as bright as the nearest, 1 gone	0.55	0 to 1
Glow	How strongly a near character glows round its shape	0.6	0 to 2
Ripple	A ring of sound sweeping out through the world from where it's played as it begins; 0 none	0.6	0 to 1
World Blur	How soft the world goes, as a share of the screen's height	0.002	0 to 0.02
Shimmer	How much the characters' light shimmers	0.25	0 to 1
Characters Show Themselves	While it plays, every pawn but the player's draws itself into custom depth (and the player's doesn't), so all of them show; Off shows only what you draw into custom depth yourself	On	Off, On

Force Field#

A bubble round the viewer: a faint lattice fixed to the world's directions, glowing and bending at its rim, rippling where it's struck and flickering as it fails.

Impact
Shield Hit
Force Field, 0.05 s in, 0.1 s held, 0.6 s out
Overlay
Failing Shield
Force Field, in over 0.35 s, held at 100%
Overlay
Shield Bubble
Force Field, in over 0.35 s, held at 100%

Its own settings:

Setting	What it does	Starts at	Takes
Cell Size (deg)	How big the bubble's cells are, as an angle across your view	8	2 to 30
Lines	How bright the lines between the cells are	0.4	0 to 2
Rim	How strongly the bubble glows where you look along it, towards the screen's edges	1	0 to 2
Bend	How much the bubble bends the picture near its rim	0.3	0 to 1
Hit Ripple	How strongly it ripples out from where it's struck, the look's centre	0.5	0 to 1
Flicker	How much it flickers and drops out, as a failing shield	0	0 to 1
Crawl Speed	How fast light crawls along its lines	0.5	0 to 4
Tint	How much it tints the world in the colour	0.15	0 to 1

Dazed#

Not seeing straight: a second image drifting apart and back, the picture swaying and rippling, blurring and the edges closing in on the beat, colours swimming.

Impact
Stunned
Dazed, 0.05 s in, 0.3 s held, 2 s out
Overlay
Concussed
Dazed, in over 0.35 s, held at 100%
Overlay
Drunk
Dazed, in over 0.35 s, held at 100%
Overlay
Hallucinating
Dazed, in over 0.35 s, held at 100%
Overlay
Poisoned
Dazed, in over 0.35 s, held at 100%
Transition
Pass Out
Dazed, 2 s in, 0 s held, 1.5 s out

Its own settings:

Setting	What it does	Starts at	Takes
Double Vision	How far a second image drifts from the first, at its widest	0.5	0 to 1
Sway	How far the whole picture sways and tilts	0.4	0 to 1
Wobble	How much the picture ripples like liquid	0.3	0 to 1
Blur Pulses	How much it blurs, coming and going with the beat	0.3	0 to 1
Beats A Minute	The beat the blur and the closing edges follow; 0 for a slow swell instead	40	0 to 200, whole numbers
Closing In	How far the edges close in towards the colour on each beat. As a transition they close completely by the cut.	0.3	0 to 1
Colour Swim	How far the colours swim round the colour wheel	0	0 to 1
Speed	How fast it all moves, 1 as designed	1	0.1 to 4

Veins#

Veins creeping in from the edges, branching and tapering, swelling and flushing with each heartbeat: low health, pain, a hit from one side, poison or infection. The amount is how far in they've crept.

Impact
Veins Hit
0.08 s in, 0.25 s held, 0.9 s out
Impact
Veins Hit Poison
0.1 s in, 0.4 s held, 1.4 s out
Overlay
Veins Infection
in over 0.35 s, held at 100%
Overlay
Veins Low Health
in over 0.35 s, held at 100%
Overlay
Veins Pain
in over 0.35 s, held at 100%
Overlay
Veins Poison
in over 0.35 s, held at 100%
Transition
Bleed Out
Veins, 1.6 s in, 0.4 s held, 1.2 s out

Its own settings:

Setting	What it does	Starts at	Takes
Veins	How many big veins come in round the view; their branches and capillaries come between them	12	3 to 40, whole numbers
Run Straight	How straight they run in towards the centre: 0 wandering, 1 nearly straight	0.35	0 to 1
Creeps In (%)	How far in they grow by full amount, in percent of the way from the edge to the centre. They stay where they lie and grow along themselves as the amount rises.	45	0 to 90
Wiggle	How much they twist and wind as they come	0.8	0 to 2
Beats A Minute	A pulse like a heartbeat, in beats a minute: each beat swells them and flushes their middles with the second colour; 0 holds them still	72	0 to 200, whole numbers
Beat Depth	How far each beat swells them and pushes them in	0.5	0 to 1
Thickness	How thick they are at the edge; they thin to fine tips inwards	1	0 to 3
Branching	How strongly the smaller veins forking off them show	0.7	0 to 1
Crawl	How fast they writhe where they lie, still at 0	0.15	0 to 2
One Side	0 comes in from every edge; 1 only from the side Direction faces, which Play Impact From turns towards whatever struck	0	0 to 1
Side Width (deg)	How wide the side they come in from is, round the centre	120	20 to 360
Capillaries	How strongly the fine capillaries between the veins show, near the edge	0.6	0 to 1
Shade	How far the edges darken between the veins, towards their colour	0.5	0 to 1
Paint Over	0 darkens the picture through the veins' colour; 1 paints them over it	0.6	0 to 1
Raised	How raised they look, lit along one side and shadowed along the other	0.4	0 to 1
Edge Blur	How much the picture blurs towards the edge where they are	0	0 to 1
Drain Colour	How much colour drains from the whole picture	0	0 to 1
Tips Uneven	How unevenly far each vein grows in	0.5	0 to 1

Your own#

A material of your own driven by the same timing, or no look at all.

Your Own Material#

A post process material of your own, given Amount, Phase, Colour and Strength.

Cut#

No effect: a straight cut, with its sounds and timing.

Transition
Sound Leads
Cut, 0 s in, 0.5 s held, 0 s out
Transition
Sound Lingers
Cut, 0 s in, 0 s held, 0.5 s out