These docs describe Fixed Angles and Blendshot, the next update, in development: everything in 1.3 and what it adds. 1.3 is in testing: read its docs.

Blueprint nodes

Every Blueprint node Blendable adds, by what it belongs to: what each does, what it takes and what it gives back.

Every node Blendable adds, grouped by the component, actor or library it belongs to. Generated from Blendable Fixed Angles and Blendshot (1.4.0, in development) in Unreal Engine 5.8.3, so it lists exactly what that version has.

Blendable Cinematic Mode#

Node	What it does	Takes	Gives back
Is Cinematic Mode	True while cinematic mode is on.		on or off
Set Cinematic Mode	Turns cinematic mode on or off. Calling it again with the same value does nothing.	Active (on or off)

Blendable Follow Camera#

Node	What it does	Takes	Gives back
Add Zoom Input	Zooms by turns of the wheel: above 0 in, below 0 out.	Turns (number)
Blend to Rig	Blends to a rig at the lowest priority, so anything that has asked for a rig at a higher one, a cutscene say, keeps the shot.	Rig (Blendable Camera Rig); Blend Time (number, -1)
Can Zoom	Whether the camera with the shot can be zoomed now.		on or off
Cancel Recenter	Abandon a recentre in progress.
Clear All Preset Requests	Drops every preset request and goes back to the base preset.	Blend Time (number, -1)
Clear All Rig Requests	Drop every claim at once, for a hard reset on death or level change.	Blend Time (number, -1)
Clear All Shifts	Release every pushed shift at once.	Blend Time (number, -1)
Clear Framing Offset	Forgets where the player has parked the framing subject, so it's framed dead on again. Handy at the start of a new encounter.
Clear Preset Request	Drop this source's claim. The camera falls to the next one down, or to the base preset.	Source (Object); Blend Time (number, -1)
Clear Rig Request	Drop a source's claim. The next highest takes over, or the default rig does.	Source (name); Blend Time (number, -1)
Clear Shift	Ends Source's pushed shift, easing out over Blend Time, or over the time it was pushed with if Blend Time is negative.	Source (name); Blend Time (number, -1)
Clear Two Shot	Hand the framing back to the rig's own two-subject framing, over Blend Time.	Blend Time (number, 0.5)
Clear View Mode	Drops the view mode and goes back to the Default Rig.	Blend Time (number, -1)
Cut to Shot	Puts the camera straight onto its shot on the next frame, with no easing: a cut.
Cycle View Mode	Moves to the next view mode in the list, or back with a negative Delta, wrapping round at the end. For a single change-view button.	Delta (whole number, 1); Blend Time (number, -1)
Get Active Camera States	Every camera state that's on, such as Aim.		list of name
Get Active Preset	Whatever preset is in force right now, including one applied by a volume.		Blendable Camera Preset
Get Active Rig Source	Who currently owns the shot. None means the default rig.		name
Get Active Shift	How far all the shifts together are moving the subject on screen this frame, in percent of screen.		X and Y
Get Active View Mode	The view mode in force, or None when the camera is on its Default Rig.		name
Get Base Preset	The preset the camera rests on: the one it started with, or the last one given to Set Base Preset. Ignores any preset requested over it.		Blendable Camera Preset
Get Blend Debug	The rig blend as one line of text, for debugging: how far through it is, how long it takes and which rig it's heading to.		text
Get Camera Heading	The way the camera faces, in degrees of yaw: the held heading while an angle is held, the view's otherwise.		number
Get Centre Dot	Where to draw the centre dot in the world this frame, a point straight ahead of the camera, with its radius and colour. Returns false when the comfort setting's Centre Dot is off.		Out World Location (X, Y and Z); Out Radius (number); Out Colour (colour); on or off
Get Centre Dot Style	The centre dot for a HUD widget anchored at screen centre: whether to show it, its size in pixels and its colour, with the fade in and out already in the colour's opacity.		Out Visible (on or off); Out Pixels (number); Out Colour (colour)
Get Composition Slide	How far the camera is slid to put the subject where the composition wants them, in cm: X is right, Y is up.		X and Y
Get Config	The settings in use right now: the preset's if there is one, otherwise the camera's own.		group
Get Current Arm Length	The camera's arm length right now, in cm, after collision has pulled it in.		number
Get Effective Settings	The shape actually in use this frame, after blending.		group
Get Fixed Camera	The fixed camera holding the shot or arriving, or none while the follow camera has it.		Blendable Fixed Camera
Get Fixed Camera Here	The fixed camera whose area the player is in, whether or not something with a higher priority holds the shot.		Blendable Fixed Camera
Get Fixed Camera Move	The camera move the shot is travelling right now, if it's travelling one.		Blendable Camera Move
Get Fixed Camera Weight	How much of the picture is a fixed camera's, 0 to 1: 1 while one holds the shot, in between while one blends.		number
Get Framing Offset	Where the player has parked the framing subject, in degrees off centre.		pitch, yaw and roll
Get Framing Subject	The actor framed alongside the player, such as a lock-on target, or none.		Actor
Get Framing Weight	How much the framing subject is framed, 0 to 1, as Set Framing Subject last said.		number
Get Gameplay Driver	The value last fed in under this name with Set Gameplay Driver, or 0 if none has been.	Name (name)	number
Get Gap Shift	How far the camera is sliding sideways right now to fit through a gap, in cm. Zero when it isn't.		number
Get Idle Action Time	Seconds since the player last did anything but move. What the auto-recentre counts.		number
Get Orientation Mode Index	The request as a number in the same order as GASP's E_RotationMode: 0 OrientToMovement, 1 Strafe, 2 Aim. Only meaningful when Has Orientation Request is true, so check that first.		whole number
Get Orientation Request	Which way the camera wants the character to face right now, from the active point of interest or else the rig. Unchanged means nothing is asking.		choice
Get Pivot Lag Distance	How far the point the camera orbits is trailing behind the character, in cm. Close to zero unless follow lag is on.		number
Get Rig Blend Alpha	How far the current rig blend has got, 0 to 1. At 1 the camera has arrived on the current rig.		number
Get See Through Count	How many meshes the camera has open to see through, opening or closing.		whole number
Get See Through Openness	How far the camera has opened a mesh to see through it, 0 shut to 1 open.	Mesh (Primitive Component)	number
Get Shot Damper Displacement	How far the final smoothing has moved the camera from the spot collision checked, in cm. For tracking down a camera that clips into walls.		number
Get Shot State Debug	Every step between the rig's camera position and the final one, as one line of text, for finding which step has put the camera somewhere odd.		text
Get Shoulder Side	Where the camera sits between the shoulders right now, from -1 fully left to 1 fully right. It moves smoothly through a swap and can rest in between.		number
Get Smoothed Pivot	The point the camera orbits this frame, in world space, after smoothing.		X, Y and Z
Get Standing Rig	The rig the camera stands on with nothing claimed over it: the view mode's while one is selected, otherwise the Default Rig. Aiming, a lock-on or a cutscene laid over the top don't count. Empty when the camera runs on its own settings rather than a rig.		Blendable Camera Rig
Get Target Rig	The rig the camera is on, or blending to.		Blendable Camera Rig
Get Two Shot Group Weight	How much of the shot the group holds: 0 is the pair, 1 the whole group.		number
Get Two Shot Side	Which side of the line the two-shot keeps: 1 the player's right, -1 their left, between while it crosses.		number
Get Two Shot Softness	How soft the lock is: 0 the lock turns the camera, 1 you do.		number
Get Two Shot Weight	How much of the shot the two-shot holds now, 0 to 1.		number
Get Two Subject Framing	How the camera frames a second subject, as Set Two-Subject Framing last said.		group
Get Zoom	The magnification now: 1 as the camera is, above 1 zoomed in.		number
Has First Person View Mode	True when any view mode's rig is first person, judged by its arm length.		on or off
Has Orientation Request	False when nothing is asking the character to face a particular way, so the game keeps its own rotation logic.		on or off
Hold Fixed Camera	Makes Camera hold the shot wherever the player is, until Let Go Of Fixed Camera. It still gives way to anything with a higher priority. Blend Time below 0 uses the camera's own Blend In Time; 0 cuts.	Camera (Blendable Fixed Camera); Blend Time (number, -1)
Is A Transition Covering The Change	True while a change of fixed camera waits for its screen transition to cover the old shot.		on or off
Is Aim Requested	True when the camera wants the character in the aim stance. On Strafe Request Changed doesn't report this, so anything using the aim stance should listen to On Orientation Request Changed.		on or off
Is Aiming	True while the Aim camera state is on.		on or off
Is Camera State Active	True while the camera state with this name is on.	State (name)	on or off
Is Centre Dot Requested	True while gameplay asks for the centre dot with Set Centre Dot Requested.		on or off
Is Comfort Neutral	True when the player's comfort settings aren't changing the camera at all.		on or off
Is Dolly Zooming	True while a dolly zoom is playing.		on or off
Is Framing Two Shot	True while a two-shot is at least halfway blended in.		on or off
Is Holding Angle	True while the camera is mostly on a rig that holds its angle, such as top-down, isometric or side-on.		on or off
Is Idle Camera Active	True while the idle camera has taken over, after the player has left the character and the camera alone for Idle Camera Delay.		on or off
Is In Fixed Camera	True while a fixed camera holds the shot or is arriving.		on or off
Is Pivot Catching Up	True while follow lag is bringing the camera back after a burst of speed has ended.		on or off
Is Pivot Lagging	True while the character is running and follow lag is letting them pull ahead.		on or off
Is Recentering	True while the camera is swinging back behind the character. A held angle turning home doesn't count.		on or off
Is Shoulder Right	True while the camera is over the character's right shoulder.		on or off
Is Strafe Requested	True when the camera wants the character to strafe. The same thing On Strafe Request Changed reports.		on or off
Is Using Gamepad	True when the player is on a gamepad rather than mouse and keyboard. Only kept up to date with Auto Detect Input Device on.		on or off
Keep Visible	Keeps someone else in view through anything in the way, as the camera does your character and your target while the rig's See Through is on: a companion, a boss, a thrown spear. Until Stop Keeping Visible.	Actor (Actor)
Kick Lens	A quick kick of the lens, Degrees wider (narrower if negative), settling back over Time.	Degrees (number, 4); Time (number, 0.3)
Let Go Of Fixed Camera	Ends Hold Fixed Camera: the shot goes to the fixed camera whose area the player is in, or back to the follow camera. Blend Time below 0 uses that camera's own time; 0 cuts.	Blend Time (number, -1)
Notify Player Activity	Tells the camera the player is busy with something other than moving, such as firing, reloading or a menu, so the auto recentre waits. Aiming and the view and shoulder controls already do this for you. Fine to call every frame while a button is held. @param Duration Seconds to hold the auto recentre off. Negative uses the rig's Recenter Input Buffer, which is what you almost always want.	Duration (number, -1)
Notify Teleported	Tells the camera the character has just teleported, so the shot moves with them instead of flying across the level to catch up. Call it right before or after moving the pawn. Needs Carry Through Teleports on.
Play Dolly Zoom	Plays a dolly zoom: the lens swings Degrees wider (narrower if negative) and back over Time, while the camera moves to keep you, or the framing subject, the same size, so the world behind seems to rush away and close back in. Rise Time is how long it takes to swing out; below zero, a quarter of Time. Lens Changes Over Zoom starts it on the lens on screen, and any change of lens the shot makes while it plays, a lock's or a rig's, arrives over the whole of Time instead, the camera keeping the size the shot gives. The swing plays on top; 0 degrees plays the change alone.	Degrees (number, 20); Time (number, 1); Hold Subject (on or off, false); Rise Time (number, -1); Lens Changes Over Zoom (on or off, false)
Press Cycle View	One button for two jobs: tap to change view mode, hold to swap shoulder. Bind this to an input's Started and Release Cycle View to its Completed. With no first-person view mode, the button just swaps shoulder the moment it's pressed.
Push Camera Override	Temporarily changes the field of view, the arm length or where the subject sits on screen, only the ones you turn on. It eases in over Blend In Time and lasts until Release Camera Override with the same Source. Pushing again from that Source updates it.	Source (name); Override FOV (on or off); FOV (number); Override Arm Length (on or off); Arm Length (number); Override Shift (on or off); Shift Percent (X and Y); Blend in Time (number, 0.25); Blend Out Time (number, 0.25)
Push Shift	Moves the subject on screen from gameplay, in percent of screen (X right, Y down), on top of the rig's own shifts and within its Shift Limit. Pushing again from the same Source updates it, and Slack Percent adds to the rig's Free Drift while it's held. A negative Blend Time uses a quarter of a second.	Source (name); Amount Percent (X and Y); Blend Time (number, -1); Mode (choice, Slide); Slack Percent (X and Y)
Recenter Camera	Swings the camera back behind the character, for a recentre button. On a rig that holds its angle it turns back to that rig's heading instead. Turning the camera, aiming and other player actions cancel it, and a negative Override Speed uses the rig's Recenter Speed.	Override Speed (number, -1)
Release Camera Override	Ends Source's camera override, easing back out over its Blend Out Time.	Source (name)
Release Cycle View	The other half of Press Cycle View: bind it to the button's Completed. A tap changes view mode; a hold has already swapped shoulder.
Request Preset	Asks for a preset on behalf of Source, usually a volume. The highest Priority wins (the newest on a tie), and when it's cleared the camera goes to the next request down or back to the base preset. A second request from the same Source replaces the first.	Source (Object); New Preset (Blendable Camera Preset); Priority (whole number); Blend Time (number, -1)
Request Rig	Asks for a rig on behalf of Source. The highest Priority gets the shot (the earlier one on a tie), and lower requests wait underneath to take over when it's cleared. Calling again from the same Source replaces its request, and a negative Blend Time uses the rig's own Default Blend Time.	Source (name); Rig (Blendable Camera Rig); Priority (whole number); Blend Time (number, -1)
Reset Zoom	Back to 1x.	At Once (on or off, false)
Return to Default Rig	Blends back to the Default Rig by dropping every rig request.	Blend Time (number, -1)
Rotate Camera	Turns the camera from an input, and on a rig that holds its angle, like top-down or side-on, it's the only thing that does. While Held: Amount is degrees per second at full input. Each Press: every press turns Amount degrees over Spin Time, and quick presses add up.	Input (number); Amount (number, 90); Mode (choice, EachPress); Spin Time (number, 0.35)
Select View Mode	Switches to a view mode by name, such as first or third person. States like Aim can still take over and hand back to it. None goes back to the Default Rig; a name that isn't in View Modes logs a warning and changes nothing.	View Mode Name (name); Blend Time (number, -1)
Set Aiming	Turns the Aim camera state on or off, the same as Set Camera State with Aim.	New Aiming (on or off); Blend Time (number, -1)
Set Base Preset	Changes the preset the camera rests on, rather than overriding it for a while. A preset requested over it keeps the camera until it's cleared, then the camera falls back to this one. Setting the one it already rests on does nothing.	New Preset (Blendable Camera Preset); Blend Time (number, -1)
Set Camera Heading	Turn to face a direction in the world, in degrees of yaw, easing there over Time seconds.	Yaw (number); Time (number, 0.35)
Set Camera State	Turns a camera state on or off by name, such as Aim. Several can be on at once, and the one with the highest priority gets the shot until it's turned off. A name that isn't in Camera States logs a warning.	State (name); Active (on or off); Blend Time (number, -1)
Set Centre Dot Requested	Asks for the centre dot from gameplay, near something the player can use say, whatever the comfort setting says. Get Centre Dot Style shows the dot when either one asks for it.	Requested (on or off)
Set Crouched	Tells the camera the character is crouching, for Crouch shifts and a Crouch rig. A Character is read automatically, so this is for pawns that crouch some other way. The rig comes from the Crouch row in Camera States; without one, only the shifts follow.	New Crouched (on or off); Blend Time (number, -1)
Set Framing Subject	Gives the camera a second subject to keep in frame, such as a lock-on target, or none to stop. Weight, 0 to 1, is how strongly it's framed, so the framing can ease in rather than jump wide. How it's framed is Set Two-Subject Framing's, unless a two-shot is placing you both.	Subject (Actor); Weight (number, 1)
Set Gameplay Driver	Sets a named number, such as health, heat or a charge meter, for shifts Driven By Gameplay with the same Gameplay Name to react to. The shake component reads the same names.	Name (name); Value (number)
Set Pivot Mesh	Hands a skeletal mesh to every rig whose Pivot Mesh is Name, ahead of any tag or component name: for a mesh made while the game runs, such as a generated first-person body. Call it again when the mesh is made again. No mesh lets go of the name.	Name (name); Mesh (Skeletal Mesh Component)
Set Preset	Switches the camera to another preset, blending rather than cutting. The player's comfort settings stay as they are. Leave New Preset empty to go back to the base preset.	New Preset (Blendable Camera Preset); Blend Time (number, -1)
Set Ragdoll Framing	Turns the Ragdoll camera state on or off, the same as Set Camera State with Ragdoll.	New Ragdoll Framing (on or off); Blend Time (number, -1)
Set Reduce Motion	One switch for players who get motion sick: turns off camera bob and sway, shakes, lens effects and the camera moving by itself, and turns on the centre dot. Turning it off sets them back to full but leaves the dot on. Each can still be changed on its own afterwards.	Enabled (on or off)
Set Rig Blend Alpha	Holds the blend into the current rig at a point you choose, 0 to 1, for driving it from your own curve, a timeline or Sequencer. It stays there until the rig changes again.	Alpha (number)
Set Shoulder Right	Puts the camera over the character's right shoulder, or the left when off, moving across over Blend Time. Works on every rig without setting up both sides.	Right (on or off); Blend Time (number, 0.25)
Set Two Shot	Frames the framing subject as a two-shot: the player on one spot of the screen, the subject on another, and the camera moving to keep them both there. The subject and its weight come from Set Framing Subject. Calling again blends to the new settings over Blend Time.	Settings (group); Blend Time (number, 0.5)
Set Two Shot Group	Who else the two-shot's group framing keeps in shot. The lock-on fills this in for you, so call it only for a two-shot you drive yourself. People ease in and out over the group's Takes, so the list can change every frame.	Members (list of Actor)
Set Two Shot Softness	Makes the two-shot a soft lock: you turn the camera, and the lock only moves the framing and pulls back to keep everyone in view. 0 is a normal lock, 1 fully soft. The lock-on sets this itself.	Softness (number)
Set Two Subject Framing	How the camera frames the second subject Set Framing Subject gives it, while no two-shot places you both: how far its focus slides towards them, and whether it pulls back to fit you both. A lock-on sets its own. Until anything does, it slides 0.3 of the way and pulls back up to two and a half times the arm. Blend Time eases over from the framing before.	Framing (group); Blend Time (number, 0)
Set Zoom	Sets the magnification, held between the zoom's widest and closest; at once, or gliding there.	Magnification (number); At Once (on or off, false)
Snap to Rig	Like Blend To Rig, but switches straight to the rig with no blend. Also at the lowest priority, so a higher request keeps the shot.	Rig (Blendable Camera Rig)
Stop Keeping Visible	Stops keeping someone in view that Keep Visible asked for.	Actor (Actor)
Toggle Shoulder	Moves the camera to the character's other shoulder over Blend Time, on every rig at once.	Blend Time (number, 0.25)
Whip to Shot	Turns the two-shot to its new framing fast for Time seconds, with MotionBlur (0 to 1) streaking it: a whip pan.	Time (number, 0.15); Motion Blur (number, 0.5)
Zoom In	Zooms in a step, or to the next stage.
Zoom Out	Zooms out a step, or to the stage before.

Blendable Lock On#

Node	What it does	Takes	Gives back
Clear Lock-On Focus	Goes back to the focus the lock-on preset says.
Get Lock-On Letterbox	How much of the screen's height each lock-on letterbox bar covers right now, 0 to 0.5, so a HUD can move out of their way.		number
Is Lock Soft	True while the lock is soft: the camera is the player's, and the lock only reframes.		on or off
Play Lock-On Effect	Plays one of the lock's named events: the effect of that name from On Named Events, on the preset framing the lock or the target's Effects From, and the change of focus from Focus On Named Events. Only while locked. True if there was either. Ignore Comfort plays the effect at full whatever the player's Lock-On Effects setting, for a moment that must be seen.	Name (name); Strength (number, 1); Ignore Comfort (on or off, false)	on or off
Set Lock-On Focus	Focuses the lock's lens on something else until cleared or the lock ends: what to keep sharp, how focus moves there, how long it takes, and how far off for A Set Distance.	Focus On (choice); Rack (choice, Pull); Rack Time (number, 0.6); Distance (number, 500)
Stop Lock-On Effects	Fades out every lock-on effect playing, or stops them on the spot with Immediately. The next lock plays its own as usual.	Immediately (on or off, false)

Blendable Lock-On Responses#

Node	What it does	Takes	Gives back
Add Response	Adds a response while the game runs: one made with Construct Object From Class, outered to this.	Response (Blendable Lock-On Response)
Find Response	A response by its name, or none.	Name (name)	Blendable Lock-On Response
Remove Response	Takes a response off by its name. False if it has none by that name.	Name (name)	on or off
Reset Responses	Every response forgets it was picked: back if it shows only once, and its cooldown over.
Set Response Shown	Shows or hides a response by its name. False if it has none by that name.	Name (name); Shown (on or off)	on or off

Blendable Lock-On Target#

Node	What it does	Takes	Gives back
Get Framing Centre	The middle of it for framing: the middle of its bounds, or its origin with none.		X, Y and Z
Get Framing Size	Its size for framing, width then height, cm: as set, or measured from its bounds.		X and Y
Get Lock Point Location	Where a lock point is in the world now. Wraps round the list, so any index is a point.	Index (whole number)	X, Y and Z
Get Marker Location	Where its marker sits in the world now: at its marker socket, or its first lock point, nudged by the marker's offset.		X, Y and Z
Get Num Lock Points	How many lock points it has: at least one, the target itself, when none are listed.		whole number
Set Engaged	Marks this target as in the fight or out of it, for group framing that counts only engaged enemies.	New Engaged (on or off)
Set Lockable	---- API ----.	New Lockable (on or off)

Blendable Lock-On Targeting Component#

Node	What it does	Takes	Gives back
Can Lock On To	Whether a lock could take this actor now: it's lockable, within reach, and in sight if the lock needs that. Whether it's in view doesn't count.	Target (Actor)	on or off
Cycle Lock Point	Move the lock to the next point on the target: up from the chest to the head, across to a second head. Negative goes back. True if it moved; a target with only the one point keeps it.	Direction (whole number, 1)	on or off
Cycle Target	Moves the lock to the next target to one side: negative is left, positive right. Flicking again keeps going across the arena.	Direction (number)	on or off
Find Best Target	The target Toggle Lock would pick right now, without locking on. Handy for showing a reticle on it.	Side Bias (number, 0); Excluding (Actor, None)	Actor
Get Active Band	The band framing the lock now, as its place in Bands, or -1 for none.		whole number
Get Active Lock-On Overrides	The overrides in force now: every one pushed, laid over each other by priority.		group
Get Active Lock-On Preset	The Lock-On Preset framing the lock right now (or that would frame the next one), or none.		Blendable Lock-On Preset Base
Get Active Lock-On Preset Source	Who asked for the active Lock-On Preset: the name a node pushed it under, a volume, Target, Base, or a band. None when nothing has.		name
Get Last Lock End	How the last lock ended: let go, broken, or the target lost.		choice
Get Last Lock Point	Where the lock point was the last time the lock held: on the target now, or where it was when the lock ended.		X, Y and Z
Get Lock Point	Where the lock is aimed in the world now: the current lock point, or the target itself.		X, Y and Z
Get Lock Point Index	Which point on the target the lock is on.		whole number
Get Lock Target	The actor the lock is on, or none.		Actor
Get Lock-On Readout	What the lock is doing, in a few plain lines: the target, the preset framing it and who asked for it, the rest of the ladder under it, the overrides, and with the camera's lock-on the shot, the group, focus and the effects playing. For a debug display: Blendable.LockOn.Readout 1 puts it on screen, and Live Tune shows it.		text
Get Preferred Target	Your game's pick for the next lock, or None.		Actor
Get Shown Responses	The responses that can be picked now, top to bottom: empty while the menu isn't showing.		list of Blendable Lock-On Response
Hide Response Menu	Hides the response menu while any name asks, as for a cutscene or a screen of your own; it comes back when the last lets go.	Source (name); Hide (on or off)
Hold Lock	While any name holds it, the lock doesn't break for distance or sight: a scripted moment locked onto someone out of reach. A target that dies or stops being lockable still ends it.	Source (name); Hold (on or off)
Is Auto Locking	True while auto lock is holding a fight and the player hasn't waved it off.		on or off
Is in Fight	Whether an actor is inside the fight auto lock is holding: one of its areas, or its radius around you.	Actor (Actor)	on or off
Is Lock Automatic	True when the lock held now is one auto lock made rather than the player.		on or off
Is Lock Held	True while something holds the lock against breaking.		on or off
Is Locked	True while locked onto a target.		on or off
Is Response Menu Shown	Whether the response menu is on screen with something to pick.		on or off
Lock To	Locks on to this actor, skipping the usual choice. It still lets go the usual way: too far, out of sight too long, or no longer lockable.	Target (Actor)	on or off
Pick Response	Picks a response on the menu by its name, as its button would: from an input of your own, or a script. True if it could be picked.	Name (name)	on or off
Pop Lock-On Overrides	Lets go of the overrides pushed under this name. Blend Time below zero uses the preset's own.	Source (name); Blend Time (number, -1)
Pop Lock-On Preset	Let go of the preset pushed under this name. Blend Time below zero uses the preset taking over.	Source (name); Blend Time (number, -1)
Push Lock-On Overrides	Changes chosen values of whichever preset frames the lock until you pop the same name: keep the camera close in a corridor, hold the line in a duel. Where two change the same value, the higher Priority wins. Priority below zero uses Blueprint Node priority, and Blend Time below zero the preset's own.	Source (name); Overrides (group); Priority (whole number, -1); Blend Time (number, -1)
Push Lock-On Preset	Asks for this preset to frame the lock until you pop the same name: a parry, a finisher, a boss phase. With nothing locked it waits for the next lock. Priority below zero uses Blueprint Node priority, and Blend Time below zero the preset's own.	Source (name); Preset (Blendable Lock-On Preset Base); Priority (whole number, -1); Blend Time (number, -1)
Release Lock	Lets go of the lock, if there is one.
Set Base Preset	Change the Base Preset, blending to it if it is the one framing a lock right now.	Preset (Blendable Lock-On Preset Base); Blend Time (number, -1)
Set Lock Point	Moves the lock to a point on the target by its place in the target's Lock Points: a weak spot opening. True if it moved.	Index (whole number)	on or off
Set Preferred Target	Your game's own pick for the next lock, such as the thing the player is looking at to use: Toggle Lock and Find Best Target take it whenever it could be locked at all (in reach, in view, in sight and lockable), whatever the scores, so the lock always goes where your game's prompt says. Switching targets ignores it. Set it as it changes; None leaves the usual choice.	Target (Actor)
Set Response Menu Open	Opens or shuts the response menu for the lock held now. The next lock opens it as Opens says.	Open (on or off)
Start Auto Lock	Locks on by itself to the nearest enemy, and to the next nearest whenever that one dies or leaves, until Stop Auto Lock. For a fight that starts without the player asking. Area keeps it to enemies inside that actor; without one it's enemies within Radius of you, and below zero means Max Lock Distance.	Source (name); Area (Actor, None); Radius (number, -1)
Stop Auto Lock	Stop locking on by itself for this source. With Release on, a lock auto lock made lets go once no source still holds it.	Source (name); Release (on or off, true)
Toggle Lock	Locks on to the best target in view, or lets go if already locked. The one to bind to the lock-on button.		on or off
Toggle Response Menu	Opens the response menu if it's shut, or shuts it: for a menu that opens when asked, or to wave one away.

Blendable Point Of Interest#

Node	What it does	Takes	Gives back
Activate Point Of Interest	Turns this point of interest fully on, easing in over its blend time. Only used with the Manual trigger.
Clear Focus Override	Goes back to the focus the preset says.
Deactivate Point Of Interest	Turns this point of interest off again, easing out over its blend time. Only used with the Manual trigger.
End Point Of Interest	Ends this point of interest now, blending out over Blend Time (below zero uses the preset's Blend Out Time). It stays off until its trigger lets go, so the player still staring at the thing doesn't restart it.	Blend Time (number, -1)
Get Activations Used	How many times this point of interest has switched on, for one with a limit on how often it may.		whole number
Get Active Preset Name	The name of the Alternate Preset in use, or None for the starting Preset.		name
Get Aim Scale	How much this point of interest turns the camera and holds the stick, 0 to 1.		number
Get Current Weight	How strongly this point of interest is acting right now, 0 to 1, before its own strengths (Turns To Look and the rest) apply.		number
Get Look At Point	World point this point of interest wants looked at.		X, Y and Z
Get Settings	The behaviour in force this frame, after any preset crossfade.		group
Is Activated	True while an activation is running, whether triggered or forced.		on or off
Reset Activations	Forget how many times this has fired, so a limited point of interest can run again.
Set Active Preset	Blends to one of the Alternate Presets by name. None, or a name it doesn't have, goes back to the starting Preset. Blend Time below zero uses Preset Blend Time.	Preset Name (name); Blend Time (number, -1)
Set Aim Scale	How much this point of interest turns the camera and holds the stick, 0 to 1. 0 leaves the camera to the player and keeps its focus, shake and lens.	Scale (number)
Set Focus Override	Focuses this point of interest's lens differently from its preset until cleared: what it keeps sharp and how focus moves. The lock-on uses it for its own focus.	Focus (group)
Set Look At Actor	Changes what this point of interest looks at. While it holds the shot, the view glides there over the time its preset's Glides To A New Target Over gives rather than cutting. Glide Time of 0 or more replaces that for this change; 0 cuts.	New Target (Actor); Glide Time (number, -1)
Set Manual Weight	Sets how strongly this point of interest acts, 0 to 1, for driving it from a Blueprint, a state tree or a sequence. It eases there over its blend times rather than snapping. Only used with the Manual trigger.	Weight (number)
Set Preset Asset	Blends to this preset asset, for one chosen in play rather than named in advance. Blend Time below zero uses Preset Blend Time.	New Preset (Blendable Point Of Interest Preset); Blend Time (number, -1)
Trigger Point Of Interest	Runs this point of interest now, whatever its trigger says, until End Point Of Interest or its Active Duration runs out. Ignores distance, dwell, cooldown and activation limits, and doesn't use one up. Blend Time below zero uses the preset's own Blend In Time.	Blend Time (number, -1)

Blendable Shake#

Node	What it does	Takes	Gives back
Add Body Shake	---- Body and handheld ----.	Shake (Blendable Shake Asset)
Clear Landing Impact	Forget how fast this fall got. A landing is sized from the fastest part of the fall, so anything that deliberately slows a fall calls this, or the camera still plays the crash.
Fire Camera Event	Fire one of the built-in events yourself: a scripted landing, a footstep, a jolt.	Event (choice); Strength (number, 1); Direction (X, Y and Z); Duration (number, -1)
Get Active Handheld	The handheld in use now, or the one it's crossing over to: a claimed one, the Rig's, or Handheld (When The Rig Has None).		Blendable Shake Asset
Get Active Handheld Source	Who swapped in the handheld in use: the name it was pushed under. None when nothing has.		name
Get Current Cadence SPM	Footsteps per minute the stride is running at.		number
Get Current State Name	The locomotion state in force: Idle, Walk, Sprint, Crouch, Air, or one of your own.		name
Get Driver Value	Any driver's value this frame, as a layer would read it.	Source (choice); Name (name)	number
Get Duck Level	How far the Handheld group is quietened right now, 1 being not at all.		number
Get Effort	Effort, 0 up to its Max. The same number the Effort driver reads, for breathing audio or UI.		number
Get Focus Input	The focus last set with Set Focus Input, 0 to 1.		number
Get Gameplay Driver	The value last fed in under this name with Set Gameplay Driver, or 0 if none has been.	Name (name)	number
Get Group Scale	How much Push Group Scale and Shake Volumes are scaling a group right now, all of them multiplied. 1 is untouched.	Group (name)	number
Get Jump Charge	How far a jump is wound up, 0 to 1.		number
Get Motion Context Snapshot	The character motion used this frame.		group
Get Peek Input	The lean last set with Set Peek Input, -1 left to +1 right.		number
Is Shake Active	True while the shake with this handle is still playing.	Handle (whole number)	on or off
Notify Jump	An uncharged jump: a short wind-up and then the Jump event. Called automatically on takeoff.
Notify Landed	A landing at this downward speed, cm/s. Detected automatically; call it for a scripted landing.	Impact Speed (number)
Play Burst	The body was shoved along Direction. Fires the Burst event.	Strength (number); Direction (X, Y and Z)
Play Engine Shake	Play an ordinary Unreal camera shake, so marketplace shakes and Sequencer's own still work. The player's shake setting scales it, but it runs outside this mixer, so it isn't grouped or quietened.	Shake Class (Camera Shake Base class); Scale Factor (number, 1)
Play FOV Punch	A brief widening of the lens, for a blink or a reach, lasting Duration seconds. Fires the FOV Punch event.	Strength (number); Duration (number)
Play Micro Shake	A short knock: a footfall, a mechanism, a light hit. Fires the Rumble event. @param LateralBias -1 left, +1 right, 0 a side at random.	Strength (number, 1); Lateral Bias (number, 0)
Play Shake	Play a shake. Returns a handle for stopping it or changing its strength; one that plays once can be fired and forgotten. @param Direction Which way the push goes in the world, for layers that follow it (a hit, a recoil). @param Plays Once or until stopped, overriding the asset.	Shake (Blendable Shake Asset); Scale Factor (number, 1); Direction (X, Y and Z); Ignore Comfort (on or off, false); Plays (choice, AsAuthored)	whole number
Play Shake At	Play a shake from a point in the world, such as an explosion: weaker the further away this pawn is, and pushing away from that point. Out of range, nothing plays and it returns 0.	Shake (Blendable Shake Asset); Location (X, Y and Z); Scale Factor (number, 1); Inner Radius Override (number, -1); Outer Radius Override (number, -1); Ignore Comfort (on or off, false)	whole number
Pop Group Scale	Lets go of every group Source scaled, easing them back over Blend Time. Below zero takes as long as they took to arrive.	Source (name); Blend Time (number, -1)
Pop Handheld	Lets go of the handheld Source swapped in, crossing back to whatever would be in use without it. Blend Time below zero takes as long as the swap to it did.	Source (name); Blend Time (number, -1)
Push Group Scale	Makes one mixer group stronger or weaker until you pop the same Source: quieter footsteps in a padded room, more rumble beside an engine. Scale 0 silences the group, 1 leaves it as it is. Where several sources scale one group, their scales multiply. It eases there over Blend Time; below zero takes a quarter of a second.	Source (name); Group (name); Scale (number); Blend Time (number, -1)
Push Handheld	Swaps the camera operator's wobble for this shake until you pop the same Source, whatever the Rig or Handheld (When The Rig Has None) would use: rougher on a boat deck, steadier in a lift. The highest Priority wins, the most recent on a tie. It crosses over the way a Rig change does, with layers the two share by name carrying on. Blend Time below zero uses the shake's own Fades In Over.	Source (name); Shake (Blendable Shake Asset); Priority (whole number, 0); Blend Time (number, -1)
Release Jump	The charge is spent: fires the Jump event, as strong as the charge was.
Remove Body Shake	Remove a body shake, fading it out rather than cutting it off.	Shake (Blendable Shake Asset)
Reset Transient State	Clears all motion and measurements, played shakes included, so the camera doesn't lurch after a teleport or a change of possession.
Resolve Motion Provider	Finds the motion provider again, for a movement component added after play began.
Send Camera Event	Fire a named event, for layers set to play on it and for Event Shakes.	Event Name (name); Strength (number, 1); Direction (X, Y and Z)
Set Action Charge	A wind-up other than a jump, 0 to 1: a throw, a swing. Read by the Action Charge and Any Charge drivers.	Charge (number)
Set Default Handheld	Swap the handheld used when the Rig has none. Layers the two share by name carry on without a restart.	Shake (Blendable Shake Asset)
Set Focus Input	Focus, 0 to 1: aiming down sights, holding breath. Read by the Focus driver; safe to set instantly.	Amount (number)
Set Gameplay Driver	Feed a named value to every shake, for their Gameplay drivers. Shared with a Blendable Follow Camera's composition shifts, so one value can move the shot and shake it.	Name (name); Value (number)
Set Jump Charge	How far a jump is wound up, 0 to 1. Call every frame while it charges. Cancels a pending automatic jump.	Amount (number)
Set Peek Input	Lean out, -1 left to +1 right. Wire it to your lean input. The camera eases into the lean and stops short of walls.	Axis (number)
Set Shake Driver	Feed a named value to one running shake, for its Gameplay drivers. Wins over the shared value of the same name.	Handle (whole number); Name (name); Value (number)
Set Shake Scale	Change a running shake's strength, easing into it so it never jumps.	Handle (whole number); Scale (number); Over (number, 0.15)
Stop All Shakes	Fade out every played shake, or only those in one mixer group. Body, Handheld and Rig shakes carry on.	Group (name, None)
Stop Shake	Fade a shake out and stop it. A negative Fade Out uses the shake's own fade time.	Handle (whole number); Fade Out (number, -1)
Trigger Footstep	Fire a footstep now. The Blendable Footstep anim notify calls this; call it yourself for a scripted step.	Foot (choice)

Blendshot#

Node	What it does	Takes	Gives back
Get Kill Cam Part	Which part of a kill cam's shot is playing: none, the release, the flight, following it through or the impact.		choice
Get Last Foe	Who the fight's last foe is, as the game said; none if it hasn't.		Actor
Get Shot Time	How far into the shot playing it is, in seconds; 0 with none.		number
Is Playing Finisher	Whether a finisher's playing.		on or off
Is Playing Kill Cam	Whether a kill cam's playing.		on or off
Is Playing Mirrored	Whether the shot playing is mirrored, from the other side of the attacker's forward line: to keep out of a wall, or by chance.		on or off
Kill Cam Impact	Tells the kill cam playing that its projectile has hit, for a hit it wouldn't see by itself: a projectile that stops short of the victim's middle, say.
Last Foe Down	The fight's last foe is down, however it happened: plays a finisher on them as the fight's ending (Finisher, or the first of this character's with a shot that fits any animation), its How Often counting them the last foe, unless a shot's already played or playing on them. False if nothing plays.	Foe (Actor); Finisher (Blendable Finisher, None)	on or off
Play Finisher	Plays a finisher on this character and a victim: a shot made for the animation this character's playing, else one that fits any, as its How Often allows. False if nothing plays. In a networked game it's sent to the screens it plays on, and true once it's on its way.	Finisher (Blendable Finisher); Victim (Actor)	on or off
Play Kill Cam	Plays a kill cam on a projectile on its way to someone it will kill: call it as the projectile's released, when the game knows the shot will kill. One of the kill cam's shots that fits the projectile, at random by weight: its release keyed from this character, its flight on the projectile however long it takes, its impact on the victim where they're hit. With no kill cam named, the first of this character's that has a shot for it. False if nothing fits or a shot's already playing.	Projectile (Actor); Victim (Actor); Kill Cam (Blendable Kill Cam, None)	on or off
Play Kill Cam At	As Play Kill Cam, aimed at where the shot will really hit rather than the victim's middle: Hit Point, kept on Hit Component's Hit Bone as they move (from a predicted path, say). A head shot stays a head shot: the kill cam neither thinks it will miss their middle nor steers it there.	Projectile (Actor); Victim (Actor); Hit Point (X, Y and Z); Hit Component (Scene Component); Hit Bone (name); Kill Cam (Blendable Kill Cam, None)	on or off
Send ABullet	For a hitscan shot, which has nothing in it to follow: sends the kill cam's bullet from From to the victim, at a speed you can see, and plays the kill cam on it. The bullet leaves as the shot's flight begins. The bullet, or none.	From (X, Y and Z); Victim (Actor); Kill Cam (Blendable Kill Cam, None)	Blendable Kill Cam Bullet
Set Last Foe	The fight's down to its last foe: who. A finisher or kill cam on them is the last foe's, for How Often's The Last Foe. The game says so, as it knows its fights; set on the server, every screen knows. None clears it.	Foe (Actor)
Stop Finisher	Stops the finisher or kill cam playing and hands straight back to play.

Blendable Camera Statics#

Node	What it does	Takes	Gives back
Clear Camera Preset	Release a claim made by Push Camera Preset. Wire to End Overlap with the same Source.	Actor (Actor); Source (Actor); Blend Time (number, 0.75); Player Only (on or off, true)	on or off
Get Blendable Camera	The Blendable follow camera on an actor, or none.	Actor (Actor)	Blendable Follow Camera
Get Camera Preset	Whatever preset is in force on this actor's camera right now.	Actor (Actor)	Blendable Camera Preset
Push Camera Preset	Changes the actor's camera preset until Clear Camera Preset is called with the same Source, then goes back. Pass the trigger itself as Source. Where regions overlap, the highest Priority wins.	Actor (Actor); Preset (Blendable Camera Preset); Source (Actor); Blend Time (number, 0.75); Priority (whole number, 0); Player Only (on or off, true)	on or off
Set Camera Preset	Changes the actor's camera preset with a blend, and keeps it until something else changes it. Plug a trigger's Other Actor straight in: actors without a Blendable camera are ignored, and re-applying the preset already in force does nothing.	Actor (Actor); Preset (Blendable Camera Preset); Blend Time (number, 0.75); Player Only (on or off, true)	on or off

Blendable Hook Library#

Node	What it does	Takes	Gives back
Tell Actor	Tells an actor something, as the Tell Actors hook action does: the actor and each of its components that are Blendable Hook Targets. A pickup can tell a door Unlock, a won fight can tell a gate Open. Returns how many listened.	Actor (Actor); Message (name); From (Actor); Putting Back (on or off, false)	whole number

Blendable Camera Move#

Node	What it does	Takes	Gives back
Find Blocker	The first thing in the path's way as the camera would pass, sweeping a ball of Radius cm along it on the camera channel: the actor, how far along the path it is in cm, and where. None is a clear path. Characters don't count.	Radius (number, 12)	Distance (number); Location (X, Y and Z); Actor
Get Length	How long the path is, in cm.		number
Get Time For	How long travelling Distance cm of the path takes, in seconds: its share of Time, or the distance at Speed.	Distance (number)	number
Set Enabled	Switches the move on or off.	Enabled (on or off)

Blendable Camera Trigger#

Node	What it does	Takes	Gives back
Apply Camera Preset	Switches the actor's camera to Preset On Enter, following Mode. Wire Begin Overlap into it with Other Actor; actors without a Blendable camera are ignored.	Actor (Actor)	on or off
Release Camera Preset	Undoes this trigger's change as the actor leaves, switching to Preset On Exit if one is set. Wire End Overlap into it with Other Actor. A Latch with no exit preset has nothing to undo.	Actor (Actor)	on or off

Blendable Fixed Camera#

Node	What it does	Takes	Gives back
Contains Point	Whether a point is inside this camera's area, with the area grown by Margin cm on every side.	Point (X, Y and Z); Margin (number, 0)	on or off
Get View	Where this camera stands, which way it looks and its field of view, as placed: before it turns or slides.		Location (X, Y and Z); Rotation (pitch, yaw and roll); Field Of View (number)
Is Enabled	Whether this camera can take the shot.		on or off
Set Enabled	Switches this camera on or off. Switched off while it holds the shot, the next camera, or the follow camera, takes over.	Enabled (on or off)

Blendable Kill Cam Bullet#

Node	What it does	Takes	Gives back
Fire	Sends it from where it is to To; held, it waits for Let Go.	To (X, Y and Z); Held (on or off, false)
Get Target	Where it's going.		X, Y and Z
Has Arrived	Whether it's got where it was going, and through, and stopped.		on or off
Is Going Through	Whether it's gone through where it was going and is carrying on.		on or off
Let Go	Lets a held bullet go.

Blendable Lock-On Volume#

Node	What it does	Takes	Gives back
Apply Lock-On Preset	Does what walking in does, for the actor you pass in, so a script can trigger the volume. Does nothing to an actor without a lock-on, or to one no player controls while Player Only is on.	Actor (Actor)	on or off
Release Lock-On Preset	Does what walking out does: lets go of this volume's preset and any auto lock it started. Does nothing on a Latch volume, which keeps its change.	Actor (Actor)	on or off

Blendable Look At Actor#

Node	What it does	Takes	Gives back
Apply Travel	Updates the prop's path after Travel Distance or Travel Direction changes. Safe to call during play.

Blendable Shake Volume#

Node	What it does	Takes	Gives back
Apply Shake Volume	Does what walking in does, for the actor you pass in, so a script can trigger the volume. Returns false for an actor it ignores (no Blendable Shake, or not a player's while Player Only is on) or one already inside.	Actor (Actor)	on or off
Get Loop Strength At	How strongly the loop would play at a point in the world, 0 to 1, from the edge falloff alone.	Location (X, Y and Z)	number
Get Shake Volume Latch Name	The name every Latch Shake Volume pushes its changes under. Pop Group Scale and Pop Handheld with it put them back.		name
Release Shake Volume	Does what walking out does, for the actor you pass in: stops the loop, plays On Exit, and lets the group scales and handheld go back unless the volume is a Latch. Returns false for an actor that wasn't inside.	Actor (Actor)	on or off

Node	What it does	Takes	Gives back
Is Shown	True while the tooltip is showing, or fading in.		on or off
Set Message	Sets the label text and refreshes it.	New Message (text)
Set Shown	Force it up or down regardless of range.	Shown (on or off)

Blendable Camera Action#

Node	What it does	Takes	Gives back
Execute (event)	What the action does. Runs when its rig or point of interest takes over, and again when it lets go if the hook asks for that. @param Source The follow camera or point of interest component this fired from. @param Owner That component's actor: the pawn, or the placed point of interest. @param bActivating True when taking over, false when letting go.	Source (Actor Component); Owner (Actor); Activating (on or off)
Get Lock-On Event	What happened to the lock, when a lock-on hook runs this.		choice
Get Lock-On Event Name	A named event's name, when one runs this.		name
Get Lock-On Point	Where the lock point is, or was as the lock ended, so a sound or an effect can play where a destroyed target stood.		X, Y and Z
Get Lock-On Target	Who the lock is on: the target just locked, the new one on a switch, the one let go of as a lock ends. Empty once a target has been destroyed, and outside a lock-on hook.		Actor
Is Running For Lock-On	True while a lock-on hook is running this action.		on or off

Blendable Camera Director Subsystem#

Node	What it does	Takes	Gives back
Get Last Influence	What the points of interest added up to on the last camera update, for reading without changing anything.		group
Get Point Of Interest Count	How many points of interest are in play in this world, whether or not they're doing anything right now.		whole number

Blendable Fixed Camera Subsystem#

Node	What it does	Takes	Gives back
Get Camera Moves	Every camera move in the world, switched on or not.		list of Blendable Camera Move
Get Fixed Cameras	Every fixed camera in the world, switched on or not.		list of Blendable Fixed Camera

Blendable Lock-On Marker#

Node	What it does	Takes	Gives back
Find Marker Animation	An animation of this widget's own, by its name in the Widget Blueprint. Empty if it has none by that name.	Animation Name (name)	Widget Animation
Get Move Opacity	How solid the moves have the marker now, 0 to 1, on top of its fading.		number
Get Move Transform	Where the moves have the marker now: its scale, turn and offset, on top of wherever it's placed.		widget transform
On Hiding (event)	The marker is fading out.
On Let Go (event)	The lock let go of this marker's target: released, broken, lost, or moved on to another.
On Locked (event)	A lock was just made on this marker's target.
On Marker Changed (event)	Called whenever anything above changes: which marker it is, its target, the edge, the picture or the colour.
On Shown (event)	The marker appeared on its target, or became another kind of marker. Kind says which.
On Switched To (event)	The lock just moved to this marker's target from another.
Play Move	Plays a move now: the built-in one, the widget's own animation by name, or both. It plays over whatever is looping.	Move (group)
Set Loop	Keeps a move going while the marker is shown, in place of the one before: the built-in one, the widget's own animation looped, or both.	Loop (group)

Blendable Lock-On Response#

Node	What it does	Takes	Gives back
Can Show (event)	Its condition: whether it can be picked now. Override it in a Blueprint of your own; with no override it always can. Player is who's locked on, Target who they're locked on to: cast it to your character to read its state. Asked every frame the menu shows, so keep it quick.	Player (Pawn); Target (Actor)	on or off
Get Cooldown Left	Seconds until it can be picked again; 0 when it can.		number
Get Response Name	Its name: Name, or its text when Name is empty.		name
Get Seconds Since Picked	Seconds since it was last picked; a very large number if it never has been. For a condition of your own.		number
Get Times Picked	How many times it's been picked.		whole number
On Picked (event)	What it does: runs when it's picked, before the menu does as After It's Picked says. Override it in a Blueprint of your own.	Player (Pawn); Target (Actor)
Reset Response	Forgets it was picked: back on the menu if it shows only once, and its cooldown over.

Node	What it does	Takes	Gives back
On Menu Changed (event)	Called whenever the title, the responses, their buttons or what can be picked change.
On Response Picked (event)	A response was just picked: its place in Rows.	Row (whole number)

Blendable Lock-On Response Row#

Node	What it does	Takes	Gives back
On Picked (event)	The response was just picked.
On Row Changed (event)	Called whenever the response, its words, its button or whether it can be picked change.